Björk Digital review – to virtual reality and beyond
The musician’s otherworldly VR album-exhibition shows that technology can’t quite keep up with her galactic-scale artistic ambition
Exhibitionism review – little satisfaction, except for Rolling Stones fans
This accumulation of detail from the Rolling Stones’ five decades tells you much about how they market themselves, less about the band
Björk review – singer shines in achingly personal, stripped down performance
Icelandic superstar, sporting a DayGlo butterfly outfit, performs the intense Vulnicura, chronicling her break up with artist Matthew Barney
Sinatra: An American Icon review – too lightweight to capture the crooner’s class
A new exhibition based on the life of Frank Sinatra impresses in places but its lack of depth wrongly obscures the complex charisma that guided his career
Mofo festival 2015: the hits and misses
From the debauchery of Faux Mo to a Syrian wedding singer turned electro superstar, Brigid Delaney and team pick their festival highlights
Lady Gaga: Artpop – review
There's certainly some decent pop on Lady Gaga's new album – but the 'art' part is rather harder to discern, writes Alexis Petridis
David Bowie is – review
The V&A's riotously cluttered and pleasantly bewildering show attempts to pin down one of the most intriguing and elusive figures in popular culture, writes Peter Conrad
The Long Count – review
This bizarre, semi-operatic production was greated with tentative, baffled but warm applause, which seems about right, writes John Lewis
Tim Whitehead: Colour Beginnings – review
Whitehead's tribute to Turner takes him and pianist Liam Noble through twisting, soft, speculative territory, writes John Fordham
The Miners’ Hymn
Durham CathedralIt took an outsider's eye to put the miners' strike in perspective – part of the audio-visual collaboration that was the centrepiece at the Durham Miners' Gala, writes Alfred Hickling
Bill Fontana
Sage, GatesheadJazz musicians Tim Garland and Asaf Sirkis relished the opportunity to jam with a bridge and a lighthouse in Bill Fontana's experimental sound creation, writes Alfred Hickling
Piotr Anderszewski/Zaha Hadid
Classical review:If Hadid were to create a new space for the reinterpretation of Bach, she should have designed a dance-floor, says Alfred Hickling
Glenn Branca
Roundhouse, London