Blackhaine: And Now I Know What Love Is review – avant garde dance that grabs hold of your senses

The convulsing figures in Tom Heyes’ choreography, paired with intense sound and a guttural MC, are caught in a mesmerising struggle for human connection

Les Indes Galantes review – popping, leaps and whoops in immersive and spellbinding Rameau

Director Bintou Dembélé infuses this potentially problematic colonial tale with an irresistible blend of pop culture and inclusivity for an imaginative first staging in the UK

Olivia Rodrigo at Glastonbury review – full of bile and brilliance, this is easily the weekend’s best big set

With a genuinely surprise appearance from the Cure’s Robert Smith and a magnificent theatricality to her lovelorn songs, Rodrigo totally steals the entire festival

Nile Rodgers and Chic at Glastonbury review – pop’s most reliable band bring the party to the Pyramid

While you might quibble that Chic’s set has become more reliable than revolutionary, you can’t argue with the effects of the greatest pop music ever made on the crowd

Rod Stewart at Glastonbury review – lapping up the legends slot love like a lusty, leggy Muppet

Backed by Mick Hucknall, Ronnie Wood and Lulu, Stewart brings fiddles, sax and star-spangled buttocks to this genial teatime set

Doechii at Glastonbury review – an education in rap from the greatest teacher in the game

Theatrical, flirtatious and athletic, this debut UK festival performance from the US MC is unrelentingly brilliant

Neil Young at Glastonbury review – ragged glory from a noisemaker who never treads the easy path

Still adhering to his own bizarre internal logic as he approaches 80, Young is crowd-pleasing one minute, wilfully odd the next – and you wouldn’t want it any other way

Pulp’s secret Glastonbury set review – still the magnificently misshapen oddballs of British pop

Returning to headline the Pyramid for the first time in nearly 30 years, Jarvis Cocker and co are as dark, grubby and joyous as ever, instantly turning the audience to misty-eyed displays of devotion

Charli xcx at Glastonbury review – a thrilling hostile takeover by a pop star at the peak of her powers

Playing to a dizzyingly huge crowd, for many this is Saturday’s true headlining set: a bawdy and uncompromising icon playing alone with no frills

Skepta’s surprise Glastonbury set review – British rap’s MVP has matchless mic technique

Filling in last minute after Deftones pulled out, the Londoner shows he’s still top of his game with a kinetic performance that jumps from garage to grime to Fred Again bangers

Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio’s feral, furious flows

From Rod Stewart to Keir Starmer, no one is safe from the Irish group’s ire, as the weekend’s most talked-about set became a mosh-heavy, provocation-filled melee

Lewis Capaldi at Glastonbury review – a triumphant, hugely emotional return to the Pyramid stage

After struggling with his performance in 2023, the Scottish star was buoyed by the palpable adoration of a packed-out audience that sang every word along with him

CMAT at Glastonbury review – a preposterously fun pop star who will surely be massive

The Irish singer-songwriter draws a vast, devoted crowd for an endlessly engaging, energetic set

Little Simz & Chineke! Orchestra review – rap-classical crossover is spectacularly realised

Closing out a Simz-curated Meltdown festival, and with a host of star guests helping out, these songs gain extra nuance as orchestra and star meld perfectly together

Penarth chamber music festival review – scaled-down Mahler’s Fourth Symphony emerges as if newly minted

The joy and anarchy of Mahler were brilliantly captured, alongside wild Shostakovich and mellow Brahms