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Lewis Capaldi at Glastonbury 2019 review – laughter through the tears

His self-deprecating schtick can’t last long in the face of such huge success, but the Scottish songwriter’s A-grade banter helps offset his sad ballads

Stormzy at Glastonbury 2019 review – a glorious victory lap for black British culture

Not only is this headline performance a show of supreme talent, it also underlines how much Stormzy’s talent and charisma has pushed forward UK rap

George Ezra at Glastonbury 2019 review – sunbeam blast of charisma

His annoyingly irresistible set – rehearsed anecdotes aside – is lapped up like a cool breeze by a crowd stacked to Coldplay proportions

Lauryn Hill at Glastonbury 2019 review – late and breathless but ultimately uplifting

Hill left her biggest hit mostly to her backing singers, but she saved the best for last with a singalong

Ed Sheeran at Glastonbury 2017 review – thrillingly raw and defiantly alone

The headliner admits to last-night nerves, solo with just a guitar and effects pedal in front of the huge crowd, but their vocal support puts fire in his belly

Glastonbury 2017 verdict: Radiohead, Foo Fighters, Lorde, Stormzy and more

Alexis Petridis watched​ a​s cartoon pop stormed the Pyramid stage, and the headliners served up ​tricksy experimentalism and ​gonzo rock​

Foo Fighters at Glastonbury 2017 review – rockers cruise to middle of the road

Dave Grohl’s neo-grunge rockers play their early hits with ferocity, but you can’t escape the blandness of the ballads that follow

Radiohead at Glastonbury 2017 review – a slow creep towards transcendence

Despite alienating visuals, Thom Yorke’s random chat and an eclectic set that includes a hefty slice of experimental fare, the band leave the crowd satisfied by saving their best till last

Losing Lost Vagueness: remembering Glastonbury’s first ‘naughty corner’

Burlesque, robots, trapeze artists, a wedding chapel, a casino, extreme art events at 4am — Lost Vagueness was an anarchic, original idea that saved the Glastonbury festival at a difficult time. But, finds a new film, it could not survive

Coldplay headline Sunday at Glastonbury 2016 – review

After three tumultous and sodden days, something familiar and comforting is all too welcome – especially if it comes with surprises too

Adele headlines Saturday at Glastonbury 2016 – review

There were those who thought Adele’s sombre ballads weren’t enough to carry off a Saturday headline slot. They reckoned without her force of personality

Muse headline Friday at Glastonbury 2016 – review

Matt Bellamy and his bandmates take the view that more is more – and the vast crowd appears to agree with them

The Chemical Brothers at Glastonbury 2015 review – wigging out in the dark

Without gimmicks beyond their light show, and no parade of guest stars, the DJ duo simply serve up a festival-closing menu of nostalgic beats

The Who/Paul Weller at Glastonbury 2015 review – sparky, belligerent and packed with hits

Pyramid stageWeller, Townshend, Daltrey and co. are in crowd-pleasing mode tonight, swinging microphones and charming the Glasto audience with veteran panache

Jamie T at Glastonbury 2015 review – cathartic return for rabble rouser

He’s faced down his demons, and with a supportive crowd in singalong mood, it seems like the former likely lad is restored to glory

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  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment

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