London Grammar at Glastonbury 2014 review – vast swaths of empty emoting
The current indie-soul crossover darlings provided few crescendos, but there were moments of sublime intensity, writes Mark Beaumont
Kasabian at Glastonbury 2014 review – an obvious triumph
Kasabian get arguably the most vociferous reaction of any of this year’s Pyramid stage headliners, people bellowing along and letting off flares, writes Alexis Petridis
The Black Keys at Glastonbury 2014 review – simple yet dazzling
The Black Keys have got better as they've got bigger, revealing a talent for fiendishly catchy classic rock, writes Dorian Lynskey
St Vincent at Glastonbury 2014 review – part electro-funk Cleopatra, part superstar
A theatrical performance from a singer who successfully morphs from beguiling seductress to unhinged rock chick before our eyes
Arcade Fire, Metallica, Elbow: Alexis Petridis’s Glastonbury 2014 roundup
Lily Allen stemmed the downpour, Arcade Fire overcame their mud aversion, Metallica broke Glastonbury's heavy-metal taboo – but the odd act sank in the quagmire. Alexis Petridis reviews Friday and Saturday at the festival
The Wailers Glastonbury 2014 review – positive vibrations
This was strictly roots reggae of a predictable but special pedigree, writes Caspar Llewellyn Smith
Yoko Ono Plastic Ono Band at Glastonbury 2014 review – between ludicrous and lovable
Yoko tries out mass primal scream therapy on the Park stage audience, but her messages get lost amid the atonal wails, writes Mark Beaumont
Ed Sheeran at Glastonbury 2014 review – audience participation at its best
The unassuming singer-songwriter wins over the crowd with one
call-and-response chorus after the next, and a whole lot of singalongs
Dolly Parton at Glastonbury 2014 review – ridiculous, yet sublime
Dolly Parton rewarded Glastonbury with a performance that surely calls for a redefinition of the word "crowdpleaser", writes Rebecca Nicholson
The 1975 at Glastonbury 2014 review – laser-guided festival singalongs
The Manchester band rouse a dosing Pyramid stage crowd with their synthpop weirdness and Dolly updates, writes Gwilym Mumford
Billy Bragg and the English National Ballet at Glastonbury 2014 review – emotional first world war tribute
Bragg provides a resonant introduction for a performance of the ballet Lest We Forget that leaves many in tears, writes Mark Beaumont
Robert Plant at Glastonbury 2014 review – no Stairway, but storm-summoning moods from rock hero
Plant balances the swampy blues of his solo work with a handful of Zep
classics for an affecting set from a man remoulding his history, writes Mark Beaumont
Jake Bugg at Glastonbury 2014 review – festival favourite still has a way to go
The Nottingham phenomenon has been rushed up the bill, but is showing an unfortunate fondness for boogie-woogie filler, writes Mark Beaumont
Pixies at Glastonbury 2014 review – now that’s what I call heavy
Blacker than black and revelling in the grotesque, Pixies can teach Metallica a thing or two about the dark side, writes Mark Beaumont
Metallica at Glastonbury 2014 review – enough ferocity to silence the naysayers
This may not mark the dawning of a new era for metal at Glastonbury, but the heft of Metallica's sound is enough to win over the sceptics, writes Alexis Petridis