This is a sensationally sung and tremendously slick production, though there's no justification for Mariame Clément's violation of the opera's plot, writes Tim Ashley
Musically, you can't fault it. But Still's much-admired theatrical magic didn't, on this occasion, exert so strong a pull as it seemed to have done two years ago, writes Tim Ashley
Monteverdi left The Coronation of Poppea in short score, and Jonathan Cohen, in this autumn Glyndebourne tour, revels in the stripped-down orchestration with his 15-strong band, writes Martin Kettle
This Glyndebourne on Tour production of Don Giovanni could do with a bit more light, both emotionally and on stage. But it's strong stuff, finely delivered by an often first-rate cast, writes Tim Ashley
Glyndebourne, LewesThe evening's star turn, in Peter Hall's production of Rossini's version of the Cinderella story, is Jonathan Veira's brilliant Don Magnifico, writes George Hall
GlyndebourneThe brothel scene seems a bit tepid when compared with more recent stagings, but the performances are exceptionally strong, writes Tim Ashley
This live recording from Glyndebourne last year is not overwhelming in the way that most who saw it in the theatre considered it to be, writes Tim Ashley
Glyndebourne, SussexThe brilliance of this staging of Verdi's innovative opera is to summon humdrum images then transmute them into something shocking, writes George Hall
The latest offering from Glyndebourne's community opera programme, Knight Crew brings Arthurian legend to a contemporary canalside gangland, writes Guy Dammann