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The week in classical: CBSO/ Gražinytė-Tyla; LSO/Rattle; Harlem Quartet – review

Mirga Gražinytė-Tyla and the CBSO hit the road with Bartók’s Concerto for Orchestra, also performed by the LSO and Simon Rattle

The Genesis Suite: LSO/Rattle review – the most fascinating work you’ve never heard of

With Stravinsky and Schoenberg among its composers, Simon Rattle made a convincing case for this stirring collaborative work

Joyce DiDonato, Brentano String Quartet; Christmas Oratorio; Wonderful Town – review

With a string quartet for company, Joyce DiDonato was at her intimate best. Plus, a blast of Bach and Bernstein

LSO/Rattle review – celebrating Bernstein’s irrepressible versatility

The Leonard Bernstein centenary tribute ranged from his profoundly serious symphony The Age of Anxiety to the frothy, uncomplicated Wonderful Town

LSO/Pappano review – refinement, energy and drama

An all-Liszt programme showed the best of the LSO, magnificent under Pappano, while soloist Alice Sara Ott played with thrilling accuracy and involvement

CBSO/Gražinytė-Tyla; LSO/Alsop; LPO/ Renes review – the Sheku and Mirga show

The remarkable young cellist Sheku Kanneh-Mason and the CBSO’s irresistible music director are a dream double act

Debussy: Pelléas et Mélisande CD review – luxury casting and vivid performances under Rattle and Sellars

The LSO’s January 2016 performances of Debussy’s opera at the Barbican in London, conducted by Simon Rattle and semi-staged by Peter Sellars, have been beautifully transferred to CD, and the result is a credit to the LSO’s own record label. … Continue reading →

LSO/Rattle; Adès Curates review – Berlioz’s Damnation polishes halo for star conductor

Simon Rattle’s Faust was seamless and vivid, with astonishing precision from the LSO’s Chorus; Adès’s selection for Guildhall students was rather piecemeal

This Is Rattle; La bohème review – a rigorous, uplifting kick-off

His long-awaited homecoming is a triumph for Simon Rattle and the LSO. Plus, Richard Jones’s stylish new Bohème

Auspicious start to LSO’s new era of Simon Rattle

The opening concert of This is Rattle, a 10-day festival in honour of the conductor’s return to the UK, was superbly played

Schoenberg’s Gurrelieder review – size does matter in this magnum opus

The supersize scale did not disappoint as Simon Rattle lead the LSO and a superb lineup of soloists in Schoenberg’s answer to Tristan and Isolde

A Trip to the Moon review – majestic mystery in moonish

Simon Rattle navigates the LSO’s community choir through rocket crashes, kidnapping aliens and the terrific singing of a lyrical lunar language, in this family-friendly space opera

LSO/Haitink review – an unblinkingly direct and compelling reading of Mahler 9

The 88-year-old conductor brought objectivity and power to Mahler with a faultless performance of his 9th symphony by the London Symphony Orchestra

Mozart: Gran Partita CD review – a virtuosic live recording

LSO Wind Ensemble (LSO Live)

LSO/Noseda review – first-rate playing but Mahler’s 7th remained an enigma

Gianandrea Noseda’s performance of Mahler’s seventh symphony delivered moments of subtle majesty, even if his interpretation did not always convince

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