Halloween-appropriate programming of the Ghost sonata was the centrepiece of a beguiling set of Beethoven piano trio chamber music, writes Martin Kettle
An all-Beethoven programme featuring three of the composer's greatest piano sonatos is intellectually taut, with some loose ends, writes Andrew Clements
Fiona Maddocks: The journey from chamber baroque opera to Beethoven and Birtwistle is not as tortuous as it sounds, especially in the company of some crack ensembles