Prom 71: Tribute to Stan Kenton – review

John Fordham: Jazz hasn't featured much on the Proms this year, but Stan Kenton's big-band music was unleashed with enough roaring noise to stand in for half a dozen gigs

Prom 70: BBCSO/Robertson – review

The UK premiere of Harrison Birtwistle's wonderfully rich violin concerto was the second remarkable performance by Christian Tetzlaff at this year's Proms, writes Andrew Clements

Prom 67: Missa Solemnis

Colin Davis's performance of Beethoven's challenging Missa Solemnis with the London Symphony Orchestra, the London Symphony Chorus and London Philharmonic Choir was awesome in its impact, writes Tim Ashley

Prom 66: Thierry Escaich

Organ recitals tend to divide people: although I am sometimes sceptical, I was carried away by much of Thierry Escaich's performance, writes Tim Ashley

Prom 55: Rinaldo – review

The semi-staging of the Handel opera, ported over from Glyndebourne, is tacky; thank heavens for the music, says Erica Jeal

Prom 53: GMJO/Davis – review

The Gustav Mahley Jugendorchester's svelte sound and fine sense of rhythmic precision were to the fore in this suberb concert, writes Tim Ashley

Prom 52: LSO/Gergiev/Kavakos – review

The LSO shook the hall to its foundations with barnstorming playing: bright, incisive and making its impact through precision more than mere loudness, writes Erica Jeal

Prom 51: BBCSO/Dausgaard – review

Kevin Volans's new piano concerto is a strikingly attractive and engaging piece and was played by Barry Douglas with brilliance and precision, writes Andrew Clements

Prom 48: BBCSSO/Manze – review

The early part of the programme, built around the pianist Angela Hewitt but still themed on Brahms, proved the most rewarding, writes Andrew Clements

Prom 43: RPO/Litton – review

This programme was decently played but proved a shapeless affair, with Yuja Wang's account of the Bartók a highlight, writes Andrew Clements