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The Dancing Master review – Arnold’s ‘bawdy’ period piece no longer shocks or awes

A resourceful staging and spirited cast can’t prevent Arnold’s 1952 opera – once declared too bawdy for broadcast – from dragging its feet

Dancing With Apollo review – beauty and insights as festival turns to classical mythology

Spitalfields Music festival’s combination of chamber music, dance and lecture showcased the lyricism of violinist Sara Trickey’s playing and made for a thought-provoking concert

A Little Night Music review – Opera North brings musical gains but dramatic loss

The new staging of Sondheim’s musical is a delicious and sweet treat, but with the songs rendered so beautifully, something of the work’s psychological edge is lost

Allan Clayton; Juliet Fraser review – Britten proves indigestible, but Fraser’s Feldman is a tour de force

Britten’s five Canticles were a mixed blessing, but To and Fro in Shadow’s pairing of Samuel Beckett and Morton Feldman was exquisite

The week in classical: In the Market for Love; Oxford lieder festival; Wexford Festival Opera – review

A silly but delightful staging of Mesdames de la Halle is an Offen-ready treat, while haunting lieder and free transportation to Ireland’s National Opera House are not to be missed

Precipice review – an epic country stroll towards hope and renewal

Sinéad O’Neill’s promenade work weaved deftly around verdant grounds to encounter operatic scenes, circus acrobatics and a past pandemic reckoned with through poignant dance

Breaking Glass review – a suite of female composers smashing the mould for Australian arts

A showcase of four new operatic acts by women takes to the virtual stage, inspired by everything from Sylvia Plath to the eradication of wildlife

Michael Ball and Alfie Boe review – dulcet bromance hits the high notes

Classic FM’s answer to Ant and Dec take their grandiose revue on a tour of the UK’s arenas, belting out broadway showstoppers and stirring pop ballads

Woodford folk festival review – a much-needed moment of positivity and reprieve

Woodford, QueenslandDespite dodging the brunt of the extreme weather, attendees at the 34th annual folk festival had the future on their minds

Reich/Richter review – two artists with the power to disrupt time and space

An ever-shifting new composition by Steve Reich is set to a Rorschach-like new film by Gerhard Richter, with wonderfully disorientating, hypnotic results

Alison Balsom in Gabriel review – trumpets get lost in translation

As actor, singer, compere and musician, Balsom drives this reimagining of Samuel Adamson’s celebration of Purcell, but the venue impedes its drama

Zauberland review – after horrors, a feeling of ‘so what’ remains

Crimp, Foccroulle, Mitchell and Schumann combine their considerable forces to tell a shocking story, inspired by the Syrian conflict, that fails to have the impact it should

Oscar and Lucinda review – Peter Carey’s novel refracted into operatic colour

Carriageworks, SydneySydney Chamber Opera sees reckless beauty in the Booker prize-winning tale of a wager between an unlikely couple

Lea Salonga review – musicals star evokes whole new world of stories

The voice of Miss Saigon and Princess Jasmine controls the audience as finely as the vibrato in her expressive vocals

The week in classical: Tao of Glass review – an extraordinary exploration of creativity

Royal Exchange, ManchesterPhilip Glass makes a surprise appearance at Phelim McDermott’s astonishing tribute show

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  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
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  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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