Caroline Sullivan 

Iglu & Hartly

Cargo, LondonPounding rickety keyboards and rapping as only nasal white men can, they get the party started, then refuse to let it stop, says Caroline Sullivan
  
  


Consummately sweaty and rocking, these Californians have come from nowhere to roost at No 5 with their impossibly catchy new single, In This City. Unknown in America, they've relocated to London, where they have already been evicted from a flat because of noisy partying. After seeing their first headlining show in the capital, you have an inkling of what the neighbours must have gone through.

The five members - there is no Iglu nor Hartly - are dedicated to raising the roof, whether via their bass-heavy pop-rap attack or by inviting "all the hot chicks" on stage. Frontmen Jarvis Anderson and Sam Martin - quintessential LA dudes in surfer vests and long, straggly hair - are tireless stirrer-uppers. Pounding rickety keyboards and rapping as only nasal white men can, they get the party started, then refuse to let it stop. Guitar and that gut-crunching bass create an irresistibly melodic foundation, and the whole good-natured but socially conscious (the opener is the relatively politicised Violent and Young) mess is the closest thing 2008 offers in the way of a 1980s Beastie Boys experience.

There are only nine songs in the set, of which one is a "brand new fuckin' song" that imposes a swooshing, space-rock respite from the chaos. Moved by prog-style flakiness, Anderson directs: "Every-body close your eyes and meditate." Suitably recharged, he is soon pointing and jabbing through In This City's tinny chorus. A beaming boy climbs on stage to join him and is promptly pushed back into the crowd by Anderson, but when the kid reappears during the Eminem-meets-McFly mash-up Day Glo, he's allowed to stay. Well, it would be rude not to admit fans to the party.

 

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