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Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long

​On their fourth buzzy project in two years, the gobby and combustible US-Polish pair are best when they’re leaning into the roughness of their sound

Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail

Brian Leeds, AKA Huerco S, keeps raising the temperature on his once-chilly ambient on an ambitious record full of delightful detail and ASMR-inducing sound design

Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival

With performances by Christina Aguilera, Lola Young and Tinashe, the pop star brings a colorful vision to life in support of LGBTQ+ charities

Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits

Two decades of work from producers JLZ, VHOOR, Mu540 and DJ RaMeMes strips the Brazilian genre to its essential parts until it chimes with grime and drill

Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show

Melancholic newer tracks sit uncomfortably alongside the chunky psychedelia and hazy prog-rock the Australian band is known for

The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today

Dom Dolla’s enormous show in Melbourne’s Marvel Stadium set a new record for a solo EDM artist in Australia, and proves how the genre is dominating

Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions

Your favourite band’s favourite band unleash a thrilling and relentless 42 minutes of monstrous noise whose precise instrumental source always remains discomfitingly unclear

Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house

Lorely Rodriguez contemplates the meaning of home – both physical and emotional – on a gorgeously humid, hopeful album that makes a virtue of her searching nature

Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer

Unpredictable and utterly beguiling, the septuagenarian beloved by Harry Styles brings a hint of mischief to his innocently charming songs

Slayyyter live review – raucous show announces a new princess of sleaze-pop

The cult star proves she is ready for pop’s big leagues in a show that blends chaotic punk energy with technical finesse

Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle

Playing their biggest headlining gig to date, the Russell brothers are in a bouncy mood, though their grandstanding rave melodies lose some punch in an outdoor environment

Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies

In the follow-up to her Kick series, Arca jumbles the building blocks of electronic music to create a beautiful, disorienting sound world

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM

On a disappointing record helmed by co-founder Nadya Tolokonnikova, corny guitars and generically moody synths undermine the activist group’s political acuity

Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor

The Chilean-German producer’s shapeshifting vocals stir Latin rhythms, ghetto house, trance and more into a playful party

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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