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Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle

Playing their biggest headlining gig to date, the Russell brothers are in a bouncy mood, though their grandstanding rave melodies lose some punch in an outdoor environment

Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies

In the follow-up to her Kick series, Arca jumbles the building blocks of electronic music to create a beautiful, disorienting sound world

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM

On a disappointing record helmed by co-founder Nadya Tolokonnikova, corny guitars and generically moody synths undermine the activist group’s political acuity

Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor

The Chilean-German producer’s shapeshifting vocals stir Latin rhythms, ghetto house, trance and more into a playful party

Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment

The Scottish electronic duo remain hugely influential – but their new album’s interrogation of religion is dubious, and the drum programming is worse still

Kraftwerk review – after more than half a century of techno supremacy, they still sound like the future

Ralf Hütter and his bandmates show how profound their influence has been on huge swathes of popular music – and they give a tender tribute to the late Ryuichi Sakamoto

PinkPantheress review – singer proves she’s ready for pop’s A-list at sensational New York show

The viral star electrified Brooklyn with winking visuals, self-aware humor and a slew of special guests

Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray

Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot

Reinvigorating the South African mapanta subgenre, producer Serokolo 7 blends folk vocal melodies with seething 180bpm rhythms, creating a barrage of sound

Massive Attack: Boots on the Ground (ft Tom Waits) review – first single in a decade is a dark hymn for our times

Unsettling breathing, arrhythmic clatter, gloomy piano and military snares underpin a Beefheartian portrayal of a boorish warmonger on the band’s ominous return

The xx at Coachella review – indie trio reunites for spellbinding, rangy set

The English band’s first festival set in eight years hypnotized with their atmospheric dance sound

Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run

The era-defining duo’s ultras are suitably spoiled in the first of this intimate five-day run, showered with rarities that put a different spin on their well-known history

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love

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  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera
  • BBCSO/Oramo review – Turnage’s satisfying and clever Festen Suite makes UK debut

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