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U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again

On their first album of new songs in nearly a decade, even earnest Bono-isms carry weight amid music that is impassioned and rejuvenated

Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much

The reunion that fans were hoping for turns out to be a cash-grab box set – though there is a worthwhile curio featuring Posh on lead vocals

La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album

Devastating moments are dressed up with warm production and kinetic 00s R&B in the now quiff-less singer’s grownup fourth album

Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long

​On their fourth buzzy project in two years, the gobby and combustible US-Polish pair are best when they’re leaning into the roughness of their sound

Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act

Sampa Tembo’s genre-hopping third album meets the moment with charisma and cheek

The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel

After frontperson Juliette Jackson lost half her hearing, she wrote sad songs and felt frustrated. So she pivoted, writing herself a happy ending. The results are joyfully convincing

Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

3Arena, DublinSeveral unannounced guests feature on the first European date of the rapper’s sold-out benefit tour, including video messages from Mark Ruffalo and Cynthia Nixon

Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall

After winning over gen Z, the cult indie rocker makes the historic venue swoon with introspective anthems and a Michael Jackson cover

Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival

With performances by Christina Aguilera, Lola Young and Tinashe, the pop star brings a colorful vision to life in support of LGBTQ+ charities

Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game

With Jorja Smith, Mark Ronson and others reinterpreting Back to Black for its 20th anniversary, most of the singers are eclipsed by the memory of Winehouse

Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody

Its release delayed by ill health, Kiwanuka’s latest was made in tandem with 2024’s Small Changes – but it’s much more than a mere companion album

Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs

Bringing back the hyperliterate sound design of their acclaimed 2025 debut, the London duo explore childhood with whimsical humour and terrific musicality

Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently

Massive in her home nation but less so outside, Angèle is aided by Justice, Soulwax and Caroline Polachek in ​a bold bid for broader appeal – but her resultant album ​can be generic as well as daring

Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways

The opening night of Wonder’s tour marking the 50th anniversary of Songs in the Key of Life leaves jaws on the floor, thanks to sumptuous tracks carrying still-urgent messages

The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers

Irish six-piece embark on their biggest tour yet, turning grisly old stories into a knees-up with politically astute, spit-and-sawdust energy

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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