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Norma Winstone and NDR Radio Orchestra: A Timeless Place review – peerless vocalist at her very best

The emotive lyricist and surefooted improvisor sounds lustrous in a 1990 recording featuring an exquisite I Loves You Porgy

Joe Lovano: Paramount Quartet review – inspired sax maestro bounces from bebop to fertile improv

Lovano and his spirited quartet make his instrument glow in all its pliable eloquence, with rattling originals amid the Charlie Haden and Wayne Shorter covers

Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller

The trumpeter’s improvised soundtrack for the new wave director’s 1957 film still glows with sensuality, tension and nocturnal beauty in this lavish reissue

Walter Smith III: Twio Vol 2 review – classic jazz is vividly alive in the hands of this incisive saxophonist

The redoubtable musician and guests including Branford Marsalis and Ron Carter make standard song-shapes sparkle with focus and rugged phrasing

Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness

Jack DeJohnette and Michel Portal – both of whom died recently – are phenomenal foils for the Weather Report alumnus’s classical-influenced jazz

Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey

Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year

The cellist reunites with guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara for five stunning tracks that are boundary-pushing yet populist

The Testament of Ann Lee with Daniel Blumberg and Amanda Seyfried review – yelps, bells and bruised beauty

Live on stage the Oscar-winning composer’s score is disorientating, ecstatic and strange. Its star, Amanda Seyfried’s pure voice is the anchor in a brief but absorbing set

Julie Campiche: Unspoken review – a harpist’s tender, quietly radical hymn to women who endure

The composer’s first unaccompanied album turns extended harp technique into music of intimacy, restraint and conviction – inspired by the women who shaped her world

Iain Ballamy: Riversphere Vol 1 review – an exquisite flow of genre, harmony and improv

The 80s sax star leads an A-list quartet, plus a shared trumpet role for Laura Jurd and Ballamy’s son Charlie

Mulatu Astatke review – father of Ethio-jazz still innovating during farewell tour

The pioneering 81-year-old vibes player, keyboardist and percussionist creates a controlled whirlwind of experimentation and excitement

أحمد [Ahmed]: Sama’a (Audition) review – a wild, world-spanning act of musical devotion

The British free-jazz pianist Pat Thomas leads his quartet through a powerful fusion of Sufi inspiration, rhythmic intensity and improvisational fire

Sebastian Rochford: Finding Ways review – Polar Bear drummer’s strikingly varied quest into the aftermath of grief

Rochford showcases his signature alchemic touch, featuring seven electric guitarists in a fusion of improv, reggae and romantic pop

Various Artists – Pasé Bél Tan: Francophonies and Creolities in Louisiana review – foot-stomping joy

Influenced by jazz and early blues, this collection of largely African American folk music from the 50s to the 80s spans poignant lyricism to full-throated celebration

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  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera
  • BBCSO/Oramo review – Turnage’s satisfying and clever Festen Suite makes UK debut

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