Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts

Jonathan Kuo: Java Dreams album review – young pianist brings unflashy exuberance to complex works

The Indonesian musician impresses in his debut solo recording of Godowsky’s Java Suite and Stravinsky’s piano arrangement of Petrushka

Brahms’ Last Concert review – OAE and Emelyanychev take audience back to 1897

This recreation of the final concert that the composer attended – only weeks before his death aged 63 – featured his fourth symphony, Dvorak’s Cello Concerto and Haydn’s symphony no 73.

Anna Netrebko review – high camp and bel canto brilliance as star soprano shows she’s still the real deal

In this London recital the Russian singer moved from Rachmaninov to Mozart and Strauss to Charpentier, showcasing in all her voice’s full range of plush, dark beauty and endless legato

Orchestral Works of Mel Bonis album review – full justice is done to her finely crafted and sensuous music

The French composer – a contemporary of Debussy’s – wrote slender but perfectly-formed pieces of beguiling beauty

Turandot review – Opera Holland Park celebrate 30 years with Puccini’s grand guignol

A concert performance in an orchestral reduction of Puccini’s colossal final opera was stylishly led by conductor Naomi Woo with José de Eça’s Calaf heading a strong cast

Monochromatic Light (Afterlife) review – Tyshawn Sorey’s meditations yield their mysteries slowly

The Pulitzer-winner’s sprawling amalgam of Morton Feldman and African American spiritual felt meandering, but the GBSR duo, the BBC Singers and Ruth Gibson’s viola were luminous and charismatic

Giulio Cesare review – nightmarish take on Handel has snakes, sadism and a mummy

David Alden’s blackly comic Kafkaesque production has a strong cast whose lively performances were not always matched by the Early Opera Company in the pit

Aldeburgh festival roundup – Tansy Davies and Freya Waley-Cohen premieres, plus blistering Shostakovich

The second weekend boasted brand new music by Davies and Waley-Cohen, the premiere of Alex Ho and Rockey Sun Keting’s Chronicle, and the BBC National Orchestra of Wales with Kevin Edusei on exhilarating form

Alice’s Adventures in Wonderland review – Lewis Carroll’s familiar characters move in from the garden

Alice gets a musical-theatre belter, the ‘Drink Me’ Bottle performs soprano acrobatics and the Caterpillar smokes his hookah like Audrey Hepburn

Das Rheingold review – a sure-footed feast as Alberich descends into madness

With its aquatic opening, magic tricks and grand procession across a rainbow bridge, Charlie Edwards’s production manages to remain clear-sighted despite modest budgets

Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury

Director John Caird and conductor Laurence Cummings bring Monteverdi back to the Chiltern Hills with polished, festive inclusivity

Elgar and Dvořák: Cello Concertos album review – Gerhardt’s readings are forthright, refreshing and thoughtful

Alban Gerhardt eschews the romantic, heart-on-sleeve interpretations of these famous concertos, and finds nobility and poetry even in the most turbulent music

Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness

The Canadian violinist and American pianist – musical partners for over three decades – bring assurance and grace to these three violin sonatas written by Brahms in his creative prime.

L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi

A visual whirlwind accompanies charismatic and stylish performances in William Kentridge’s new staging. In the pit, Jonathan Cohen and the OAE add light and shade

BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance

Ryan Wigglesworth’s piano concerto, veering between tense, creepy and off-kilter, brought out the best in soloist Steven Osborne

Post navigation

← Older posts
  • Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover
  • Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor
  • Downtown Boys: Public Luxury review – a joyful blast of bilingual political punk
  • Jonathan Kuo: Java Dreams album review – young pianist brings unflashy exuberance to complex works
  • Phoebe Bridgers: Lost Boys review – ghosts, guns and guileless youth on generational songwriter’s return
  • Brahms’ Last Concert review – OAE and Emelyanychev take audience back to 1897
  • Anna Netrebko review – high camp and bel canto brilliance as star soprano shows she’s still the real deal
  • Orchestral Works of Mel Bonis album review – full justice is done to her finely crafted and sensuous music
  • Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?
  • Turandot review – Opera Holland Park celebrate 30 years with Puccini’s grand guignol
  • Monochromatic Light (Afterlife) review – Tyshawn Sorey’s meditations yield their mysteries slowly
  • Giulio Cesare review – nightmarish take on Handel has snakes, sadism and a mummy
  • Hayley Williams review – punk and R&B expertly intertwine on first solo tour for Paramore star
  • Aldeburgh festival roundup – Tansy Davies and Freya Waley-Cohen premieres, plus blistering Shostakovich
  • Alice’s Adventures in Wonderland review – Lewis Carroll’s familiar characters move in from the garden
  • Das Rheingold review – a sure-footed feast as Alberich descends into madness
  • Gorillaz review – a staggering hi-tech mini-festival from the magpie mind of Damon Albarn
  • Il Ritorno d’Ulisse review – a sensuous slice of opulence and luxury
  • Ibeyi: Offering review – French twin sisters master the balance between mysticism and edge
  • Joe Lovano: Paramount Quartet review – inspired sax maestro bounces from bebop to fertile improv
  • Elgar and Dvořák: Cello Concertos album review – Gerhardt’s readings are forthright, refreshing and thoughtful
  • Brahms: Violin Sonatas album review – Ehnes and Armstrong’s performances exude an effortless rightness
  • Myles Smith: My Mess, My Heart, My Life review – faceless, formulaic mush of Mumfords, Sheeran and Coldplay
  • Lily Allen review – West End Girl’s marital collapse is superbly evoked at arena scale
  • L’Orfeo review – Kentridge’s exhilarating creativity animates compelling Monteverdi
  • BBCSSO / Wigglesworth / Osborne review – jazz energy meets its match in French insouciance
  • Zach Bryan review – colossal US country star converts the UK to his inclusive take on the rodeo
  • Download festival review – Guns N’ Roses flop and Letlive thrive as metal’s biggest fest enters the future
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets

Contact www.freakyparty.net   Terms of Use