Michael Cragg 

Rita Ora: Ora – review

Rita Ora's backstory makes for a good read, and she's clearly well connected, but her debut disappoints Michael Cragg
  
  


Not many pop stars can they say they have duetted with Craig David, auditioned to represent the UK at Eurovision and signed a multimillion-pound deal with Jay-Z's Roc Nation. Unfortunately for Rita Ora, her backstory is the most interesting thing about her, with her debut feeling more like a collection of other people's songs than a cohesive album. Rihanna's influence is all over it – from the fact that the Drake-penned first single, RIP, was originally written for her, to the employment of most of her recent collaborators (Stargate, The-Dream, will.i.am etc). But while Rihanna stamps her authority on her best songs, Rita often sounds a bit lost amongst the aggressive bravado (the Diplo-produced Facemelt) or modern self-empowerment numbers (Shine Ya Light, Roc the Life). The three No 1 singles – RIP, How We Do (Party) and DJ Fresh collaboration Hot Right Now – are all clear highlights, but the lilting Hello, Hi, Goodbye and the sleek, Sia-penned Radioactive aside, there's just too much anonymity.

 

Leave a Comment

Required fields are marked *

*

*