Dave Simpson 

Robbie Williams: Swings Both Ways – review

Robbie Williams returns to the rat pack homage that previously gave him one of the biggest albums of his career, writes Dave Simpson
  
  

Robbie Williams Photographed by John Wright
An ennui-laden rock star ­hankering after the jazz age … Robbie Williams. Photograph: John Wright Photograph: John Wright/PR

Robbie Williams has returned to the format of 2001's big band-era cover album, Swing When You're Winning, one of the most successful of his career, but this time with six original songs, and oodles more self-deprecating camp. Swing Supreme – one of a clutch of songs written with Angels co-writer Guy Chambers – depicts an ennui-laden rock star hankering after the jazz age with one-liners such as "a tumour in your humour", while the title track finds Rufus Wainwright telling the singer, "Face it, Robbie, you're a little bit gay." Celebrity guests (Lily Allen, Olly Murs, Michael Buble), brass and finger-clicks abound, and lots of the tracks swing so much you can almost smell the brilliantine. Some of the covers are too well-worn (Minnie the Moocher and Puttin' On the Ritz), but Snowblind's admission of vulnerability is rather moving, and the recent father's Go Gentle – complete with one of pop's great whistled middle eights – may be the most touching declaration of parental love/responsibility since David Bowie's Kooks.

 

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