British pianist/composer Kate Williams makes the kind of jazz albums few younger players attempt these days, let alone pull off with such aplomb – full of graceful storytelling themes and uptempo swing, delicate piano breaks glowing with a Bill Evans hue, bebop horn solos over nimble walking grooves. This is an elegant set of originals for her classy septet, including the flute virtuoso Gareth Lockrane and powerful tenor saxist Alex Garnett. The memorable title track appears in both trio and septet versions, the former opening on an almost Maiden Voyage-like chordal undertow, before pursuing Williams’s patiently wayward melody. Her cool, shapely and sometimes nimbly mischievous writing constantly informs this set – with uptempo tracks such as Duped shifting from a clipped, brightly ascending horn theme to a series of slick solos over walking grooves, tone-poems such as the beautiful Moonset, featuring Gil Evans-like sound mists, and the haunting Ballad for Mr H making full use of Lockrane’s lustrous bass-flute sound. The one cover, Harold Arlen’s My Shining Hour, is given something of the self-conscious perkiness of a 1960s TV science-show theme, but for the most part, Williams’s lyricism, polish and subtle touch make this one of her most accomplished and personal ventures.