Erica Jeal 

Janine Jansen: Brahms and Bartók review – every phrase says something

The soloist’s playing glows in the Brahms Concerto, paired with a passionate and sincere rendering of Bartók’s Concerto No 1
  
  

Janine Jansen
Crisp and characterful … Janine Jansen Photograph: PR company handout

Janine Jansen’s recording of the Brahms Violin Concerto – a landmark disc for any violinist – is taken live from concerts in Rome with Antonio Pappano and his Santa Cecilia orchestra. Their sound is rich and weighty, the better to support Jansen’s interpretation, itself heavyweight yet characteristically mercurial. Jansen’s playing glows, and the second theme of the first movement really sings; here and throughout, there is the feeling that Jansen wants every phrase to say something. Refreshingly in this sometimes over-veneered work, she is not afraid to let the sound turn fleetingly vehement when needed. The unusual pairing is with Bartók’s Concerto No 1, its first movement an unrequited love song from the composer to the violinist Stefi Geyer. There is no doubt of the sincerity of feeling in Jansen’s performance, all tender lyricism and contained but palpable passion. It’s balanced convincingly by the second, final movement, in which the playing is crisp and characterful from soloist and orchestra alike.

 

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