Tara Joshi 

Little Simz: Grey Area review – call to arms as rapper finds her feet

The Londoner really finds her groove on this third album, switching between fiery and vulnerable in style
  
  

Little Simz performs in 2018.
‘I don’t care who I offend’ … Little Simz AKA Simbi Ajikawo. Photograph: Rodin Eckenroth/Getty Images

On her third album, the famously introverted north Londoner Simbi Ajikawo reaches outwards. Gloriously self-assured and grounded, Grey Area feels fuller than her myriad EPs and two preceding albums. She frees herself from self-consciousness on opener Offence, with “I said it with my chest / and I don’t care who I offend” setting the tone.

Even though the language of emancipation has been cynically co-opted by brands, Simz’s call to arms feels real, visceral and rousing. “I’m a boss in a fucking dress,” she declares on Boss, almost screaming over minimal funk bass. “They will never want to admit I’m the best here / For the mere fact that I’ve got ovaries,” she deadpans on the trip-hop tinged Venom. Grey Area would feel one-note, if Simz’s only mode was conviction: elsewhere, she contemplates her demons, admonishes her ambitions (“People are dying / Who gives a fuck about making hits?”) and grapples with the concept of seeing a therapist. Yet even as she’s mining her doubts, her bold delivery and precise, revelled-in flow underpin her growing self-belief. The features – Michael Kiwanuka, Cleo Sol singing the tender refrain of Selfish, among others – are sweet embellishments that complement Simz’s harder tones, as does the production from her old friend Inflo, who pairs fuzzy guitars and orchestral flourishes with pared-back, boom-bap soul. At once soft and hard, fiery and vulnerable, Grey Area finds Little Simz thriving in her multi-facetedness.

 

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