Dorian Lynskey 

Rock & pop review: Sugababes: Catfights and Spotlights

Half of it is as colourless as promised, but the half credited to Klas Ahlund is unflaggingly terrific
  
  


First impressions do not augur well for the sixth album from Britain's most indefatigable female pop group. There's that Heat magazine headline of a title, a clumpy, cynical, girl-power single which sounds like a trailer for What Not to Wear, and a general transition from crisp modernity towards self-consciously grown-up, Duffyesque soul. Indeed, half of it is as colourless as promised, but the half credited to Swedish songwriter/producer Klas Ahlund (Britney, Robyn) is unflaggingly terrific. You On a Good Day sets 90s R&B vocals to a Supremes backbeat, Side Chick is wry romantic pragmatism undermined by the melancholy realisation that second-best isn't really enough, Every Heart Broken gathers droll murder metaphors towards an immense, key-changing chorus, and Truce is their tenderest ballad yet. Sugababes have always lacked a reliably sympathetic ally who can pull the best from them: a Xenomania to their Girls Aloud. In Ahlund, they might just have found one.

 

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