Top billing here is given to Lowell Liebermann's concerto from 1992 but it's the least interesting piece on the disc. Katherine Bryan plays its trite and shallow film-score melodies well enough but the chief delight here is Lennox Berkeley's orchestration of Poulenc's brilliantly coloured flute sonata from 1957, which packs more ideas into a few minutes than anything achieved in Liebermann's laboured full-scale concerto. Bryan also gives a nimble account of Nielsen's quixotic 1926 concerto, beautifully supported by Paul Daniel and the Scottish National players.