Jon Dennis 

Swans: To Be Kind review – perfectly listenable swamp blues

Michael Gira's outfit might not be always as terrifyingly bleak as reputed, but they do still indulge themselves, says Jon Dennis
  
  

Swans
Uncompromising to the point of overindulgence … Swans. Photograph: PR

Since their emergence in New York in the 1980s, Michael Gira's Swans have enjoyed a reputation for some of the most terrifyingly bleak music imaginable. While there's no shortage of spluttering discordance and merciless, single-chord bludgeoning on 13th album To Be Kind, when the clouds part Swans' default sound is a perfectly listenable – though funereal – swamp-blues. It can be affecting: the way Some Things We Do reduces life to a dismal list of pointless activities ("We betray, we serve, we regret, we learn"); or how Gira's voice is swathed in a ghostly reverb on Just a Little Boy (For Chester Burnett)– the title is a reference to Howlin' Wolf – which skulks along at a deathly pace. But To Be Kind is uncompromising to the point of overindulgence. It's a patience-testing two hours long. One track, Bring the Sun/Toussaint L'Ouverture, clocks in at 34 minutes. It's like the Doors playing The End for ever, only without the easygoing bonhomie.

 

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