Can 1612 be right? Monteverdi's famous collection of 1610 has long been an early music landmark, but this new collection is more speculative: a liturgical reconstruction of Vespers for the feast of the Rosary, featuring music by Lodovico Viadana and his colleagues. The sound is sumptuous, the performances by I Fagiolini (following up their acclaimed Striggio 40-part Mass) utterly magnificent – only the music itself slightly disappoints. Happily Monteverdi sneaks in with a superb bass solo (Jonathan Sells), and the highlight is Hugh Keyte's reconstruction of Giovanni Gabrieli's electrifying 28-part Magnificat, complete with bells and fanfares, and his In ecclesiis, a sonic spectacular.