Ian Gittins 

World Party – review

After his prolonged absence from the stage, Karl Wallinger still has the knack of writing erudite songs drenched in winning melodies, writes Ian Gittins
  
  


It has been 12 years since World Party last toured Britain, and Karl Wallinger, responding to a shouted reprimand from the crowd, appears to acknowledge that they may possibly have been a little slow to return. Yes, he agrees, with a grin and a mildly embarrassed shrug, it is about time, isn't it.

Wallinger's veteran band's long-term silence is perplexing, as in the early 90s they seemed likely to rise to stadium-filling status. Yet his absence is to some extent understandable: in 2001, the singer and guitarist was taken ill with a crippling brain aneurysm that required five years of rest and rehabilitation.

Flanked by a busy eight-piece band, the greyer and chunkier Wallinger is in rude health at this fervently received comeback show. It seems fitting that they open the evening with Waiting Such a Long Time, a new track that shows he has not lost the knack of penning cerebral, erudite pop essays drenched in gorgeously winning, Beatles-esque melodies.

Wallinger switches to keyboard early on for She's the One, the 1997 World Party album track turned into a national anthem by Robbie Williams, but draws much of the set from their 1990 high-watermark album, Goodbye Jumbo. The environmentalist concerns of Put the Message in the Box and Is It Too Late are set to retro stylings, yet betray a band that were presciently ahead of their time.

"We'll try to see you again rather more frequently," mumbles the shamefaced singer as World Party exit after the ferocious, Dylan-esque Way Down Now. Karl Wallinger may still have a great album in him. Whether he gets around to making it is another question.

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