Dave Simpson 

The Big Pink

Cockpit, LondonIt takes a lot of skill to create a hallucinatory, extra-sensorial experience and the Big Pink don't quite pull it off with their psychedelic gothic sludge, writes Dave Simpson
  
  


John Carpenter's film The Fog is hard to forget if you're of nervous disposition. In the 1980 horror flick, mysterious invaders come out of a swamping mist, only to wreak untold havoc. It's a bit like that watching the Big Pink. The stage is shrouded in darkness and dry ice.

A flight case-cum-table at the front contains their effects pedals and sonic weaponry. Occasionally, you can make out the figures in the haze as they unleash a wall of racket destined to do unspeakable things to eardrums.

Named after the Band's classic album, Music from Big Pink, London duo Robbie Furze and Milo Cordell's own debut – A Brief History of Love – offers a modern, poppier take on the early 90s "shoegazing" sound pioneered by the likes of Chapterhouse and Slowdive. However, live, with a retro drum machine juddering alongside a real percussionist, they sound closer to a baffling cross between Spacemen 3 and early Sisters of Mercy. The crowd don't know what to make of the psychedelic gothic sludge. "Is everyone still OK?" asks Furze. "You're very quiet."

It takes a lot of skill to get away with a hallucinatory, extra-sensorial experience and the Big Pink don't pull it off. Their music needs space to breathe, and in small venues it's lost and claustrophobic. Eventually, black-clad Furze's vocal melodies peek out of the mist, and the sweetly evocative Velvet hints at how good they could be. However, a deep bass drone throughout means that it's like listening to a pop transistor radio beside huge industrial machinery. Dominos – their best-known and most anthemic song – briefly threatens to soar before the figures disappear back into the fog, just like the movie. At 02 Academy, Liverpool, Tuesday. Box office 0844 477 2000. Then touring.

 

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