Mariza has moved on. Portugal's theatrical young diva brought a new global audience to fado, but as a singer with links to both Africa and Brazil, it was inevitable she would begin to explore other influences. On her first set of new songs in three years, the classic guitar-based fado lineup is augmented not by strings, as on her last recordings, but by piano, drums, muted trumpet and extra guitars. Fado still dominates, but now has an international flavour. Pequenas Verdades, a brave duet with the earthy new Spanish star Buika, is driven on by flamenco guitar work from her Spanish producer Javier Limón; on Beijo de Saudade there's an easygoing burst of Cape Verdean morna, this time with Tito Paris helping out with the vocals. There are sections where she edges towards the mainstream, as on Vozes do Mar, which features Sting's impressive guitarist Dominic Miller. It's a sophisticated, classy set, and her voice is as subtle and dramatic as ever. All that's lacking is the spine-tingling emotion of Mariza at her best.