Fiona Maddocks 

Weber: Der Freischütz – review

This live concert performance is a thrilling and moving testament to the late Sir Colin Davis, writes Fiona Maddocks
  
  


Recorded in April 2012 at London's Barbican, this live concert performance of Weber's Der Freischütz is a moving testament to the late Sir Colin Davis, as well as a thrilling performance in its own right, with top soloists: Christine Brewer in dramatic full throttle as Agathe, a pure-toned Sally Matthews (Annchen) and Simon O'Neill urgent and ardent as Max. Spoken dialogue is handled briskly. The chorus, especially in the Wolf's Glen, enthralls, as does the orchestra, rising to every challenge, urgent or lyrical, heroic or poetic. Davis, as ever, balances unrushed tempi with moments of raw excitement and aural extravagance, of which there are many in this early Romantic opera.

 

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