Robin Denselow 

Dom Flemons: Prospect Hill review – cheerful jazz and blues-influenced tunes

From a New Orleans jazz tribute to folk, it sounds as if Flemons is enjoying himself in this varied set
  
  

Dom Flemons: Prospect Hill
Sitting on the porch enjoying himself … Dom Flemons, Prospect Hill. Photograph: Elena Rott/Music Maker Photograph: Elena Rott/Music Maker

As a founding member of the Carolina Chocolate Drops, Dom Flemons specialised in reviving pre-war African-American string-band styles, and now expands his range to include jazz, blues and R&B. His former colleague Rhiannon Giddens has released an adventurous album reworking great American songs, but Flemons sounds as if he’s sitting on the front porch enjoying himself. This is a cheerfully varied set, on which he switches between guitar, harmonica, banjo and percussion, with help from equally classy musicians including multi-instrumentalist Guy Davis (though sadly not Martin Simpson, with whom he toured last year). There are some intriguing tracks here, including a revival of Native American fiddle music on Sonoran Church Two Step and the swinging weepie Have I Been Away Too Long?, now dressed up with electric guitar and saxophone. His own songs range from a good-natured tribute to New Orleans jazz to pleasantly unremarkable folk ballads.

 

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