Dom Lawson 

Baroness: Purple review – metallers lunge for mainstream glory

Back in force after their 2012 bus crash, the Georgians return with more giant hooks and elegant guitar interplay than ever
  
  

Baroness 2015
Focused and fiery … Baroness Photograph: Record Company Handout

Having narrowly survived a brutal bus accident while on tour in the UK in 2012, Baroness have every reason to be relieved that they were able to make a fourth album at all. Prior to their dance with death, the Georgians were steadily becoming one of the hottest names in heavy music, their sprawling Yellow & Green double set earning them widespread acclaim, despite being a gentler and more diverse record than its predecessors. Purple is a far more focused and fiery beast; both a return to the stormy riffing and skewed melodies of old and a subtle but unmistakable lunge for mainstream glory. It’s a balance they pull off brilliantly. Songs such as Chlorine & Wine and Shock Me still erupt from left of centre, but there are giant hooks in abundance, frontman John Baizley’s voice has improved immeasurably and Dave Fridmann’s production has added a potent sheen to the elegantly interwoven guitar lines. Peaking with the glowering bombast of Kerosene and the woozy menace of If I Have to Wake Up ..., Baroness’s rejuvenated momentum must surely carry them beyond cosy underground circles this time around.

 

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