Rachel Aroesti 

Twin Peaks: Down in Heaven review – exuberant garage rock refuses to grow up

  
  

Twin Peaks
Sharp, bright guitars … Twin Peaks Photograph: PR Company Handout

Garage rock has long been affixed to adolescence. Not only was its raucous sound supposedly hammered out in the outbuildings of parental residences, but it was also founded during pop’s own coming of age. This third album by Chicago band Twin Peaks shows it’s a genre that continues to bristle with frustrated feeling and arrested development. On Cold Lips, childishly cruel character assassinations (“All there is in you is an absence of space”) are croaked over sharp, bright guitars, while Wanted You steals a refrain from John Lennon’s Mother and puts it to less Freudian, more moany ends. It means that, despite this being a record that speaks pretty explicitly to 40-odd years ago (the most obvious comparison would be to a loafing Rolling Stones, although at times the band sound slightly like a het-up Lemonheads), the clattering exuberance of both the sentiment and the sound means it feels far from stale.

 

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