Anthony Hopkins, it turns out, has been composing music all his life. Now, at the age of 88, the Welsh-born Hollywood actor makes his Decca debut, securing the services of LA Philharmonic’s outgoing music director Gustavo Dudamel to bring his music to life.

So, what does an Oscar winner sound like? Not surprisingly, there’s a significant cinematic influence, inspired by the music that caught the attention of a lad growing up in Margam, a suburb of Port Talbot. The opening Fanfare and March is a catchy, Technicolor splash, like everything here harmonious and written from the heart. Ditto the Khachaturian-flavoured Two Pieces for Orchestra. Welsh roots are honoured too: My Fatherland, featuring six traditional tunes, four sung in Welsh, would not seem out of place at the Last Night of the Proms.

Reminiscences abound, including the lively 1947: Suite for Orchestra recalling one of the hottest summers on record. It takes its cue from the streets and mountains surrounding Hopkins’ childhood home, including an unforgettable visit with his father to the Plaza cinema. Then there are works dedicated to his wife (Stella Aria and the Stanley Myers-inspired Farewell My Love) and his niece (Tara).

Soloists are distinguished – Argentinian pianist Sergio Tiempo and Venezuelan cellist Gregorio Nieto – with fine contributions from the Philharmonia Orchestra and the Bach Choir. The spacious recording is state-of-the-art. Those who appreciate easy-on-the-ear melody and good old-fashioned craft should find plenty to enjoy.

Listen on Apple Music (above) or Spotify