The Long Count – review

This bizarre, semi-operatic production was greated with tentative, baffled but warm applause, which seems about right, writes John Lewis

Daniel Barenboim – review

Barenboim's free concert at Tate Modern saw pure emotion ripple through the Turbine Hall's swimming-pool acoustic, writes Fiona Maddocks

Play it again …

A life in music: Once confined to art galleries, Philip Glass's minimalism now attracts huge, mainstream audiences. Now 70, he celebrates a bright future for serious music.

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The Cribs, on tour | New Young Pony Club, on tour | Wilco, Minehead, London

Girls rule!

Pop: A festival curated by violin rockers Dirty Three was always in danger of becoming a macho Oz-rock fest, writes Katie Toms.

Tricky: Vulnerable

With Britpop’s memory kept alive by books and documentary films, it’s easy to forget that the mid-1990s were also a high-water mark for dance music. It saw the rise of a series of artists who seemed capable of transforming club … Continue reading

Keith Jarrett: Up For It

After two albums of sweepingly fresh and open improvisation in which Keith Jarrett despatched any lingering objections that his ceaseless work-rate over 30 years had burned out his spontaneity, here comes another standards album to celebrate the 20th anniversary of … Continue reading

Koechlin: Les Heures Persanes: Kathryn Stott

Literary inspirations lie behind the 16 pieces that make up Koechlin’s delectable cycle: fin-de-siècle travels to the Middle East, the exotically coloured novels of Pierre Loti and the Arabian Nights. The sequence, beautifully and unaffectedly played by Kathryn Stott, portrays … Continue reading