Laurie Anderson’s Habeas Corpus review – a rare and direct work
The artist collaborates with former Guantánamo prisoner Mohammed el Gharani via livestream in a refreshingly clear performance
Wysing Arts Centre festival review – silky breakbeats and brooding techno
There’s everything from b-boy dance and a Spice Girls-inspired art installation to party funk at this woolly but wonderful party in deepest Cambridgeshire
Oliver Coates review – indie cellist caught between style and substance
A genre-bending recital for an audience on beanbags was too often at odds with its video visuals
Sinatra: An American Icon review – too lightweight to capture the crooner’s class
A new exhibition based on the life of Frank Sinatra impresses in places but its lack of depth wrongly obscures the complex charisma that guided his career
PJ Harvey: Recording in Progress review – demystifying the rituals
PJ Harvey is opening up the secrets of making an album – by doing it in public. It’s intriguing to watch, but you couldn’t accuse it of being exciting, writes Sean O’Hagan
Miley Cyrus review: tackling rock classics at Art Basel with the Flaming Lips
This private show saw Cyrus embark on upscale rock karaoke with psychedelic trappings – but proved that she knows how to sell a song
Lady Gaga: Artpop – review
There's certainly some decent pop on Lady Gaga's new album – but the 'art' part is rather harder to discern, writes Alexis Petridis
Rod Stewart road-tests Glasgow’s SSE Hydro – with bagpipes and balloons
Graeme Virtue: The singer is the first act to put Scotland's new £125m venue through its paces. It looks out of this world, but can it deliver?
David Bowie is – review
The V&A's riotously cluttered and pleasantly bewildering show attempts to pin down one of the most intriguing and elusive figures in popular culture, writes Peter Conrad
V&A exhibition shows how David Bowie shaped fashion history
The Starman leotards and Ziggy Stardust bodysuit are still dazzling, but tailoring is the real star of this show
David Bowie Is becomes the Victoria and Albert’s fastest-selling event ever
Exhibition spanning the artist's career shows how Ziggy Stardust has cast his influence over everyday life
The Long Count – review
This bizarre, semi-operatic production was greated with tentative, baffled but warm applause, which seems about right, writes John Lewis
Daniel Barenboim review – an impromptu masterclass
At this free Barenboim concert, pure emotion rippled through the Turbine Hall’s swimming-pool acoustic
Tim Whitehead: Colour Beginnings – review
Whitehead's tribute to Turner takes him and pianist Liam Noble through twisting, soft, speculative territory, writes John Fordham
Glenn Branca
Roundhouse, London