Rihm’s second piano concerto was negotiated in style by Lothar Koenigs and soloist Nicolas Hodges, while an account of Bruckner’s Seventh was magnificently convincing
The BBC Symphony Orchestra under the assured direction of Joshua Weilerstein performed music from Brett Dean’s forthcoming Hamlet opera, and impressed in Hallman’s Gesualdo setting
A fascinating stage collaboration with Shakespeare’s Globe revived the work of a tarnished French composer, whose dramatic score deserves comparison with Debussy and Ravel
Roy Harris may be the most all-American composer you have never heard of. He was born in an Oklahoma log cabin and paid his way through Berkeley partly by driving a truck, before following his contemporary Copland to Paris to … Continue reading →
The panicky, tumultuous music of Brett Dean’s hellish vision – complemented by pink feather boa and roulette wheel – is delivered with complete conviction
Thomas Dausgaard’s debut as chief conductor of the BBC Scottish Symphony Orchestra, with works by Bruckner and Helen Grime, was measured and, in parts, magnificent
The Proms closed with a tremendous Verdi Requiem under Marin Alsop, while the Last Night’s celebrations were trouble-free, if the music was a little bland