Intended as a history of African-American life, from slavery onwards, the 15th album from “trance blues” maestro Otis Taylor proves a raw experience. Banjo Bam Bam, for example, is the voice of a shackled slave who is slowly losing his … Continue reading →
It won’t surprise you to learn that Duke Garwood is a collaborator of Mark Lanegan, such is his gravel-raked voice and penchant for syrupy, swampy folk (perhaps Lanegan only works with people who sing as if they’ve likewise been licking … Continue reading →
Related: ‘The history of punk was always HIS story’: the women rewriting rock What was originally intended as a Chrissie Hynde solo album finally appears, packaged as a Pretenders release, with the Black Keys’ Dan Auerbach aboard as producer. A … Continue reading →
Related: Laying down tracks: Billy Bragg and Joe Henry take a railroad trip to the blues Billy Bragg once toured the UK by British Rail, rocking up in cities with guitar in hand and loudspeakers on his shoulders. More than … Continue reading →
Granted the ragtime and folk-blues influences in Ruth Theodore’s quirky, highly original songs, it was perhaps to be expected that she would quit Hackney to record her latest album on the US west coast. Her producer is Todd Sickafoose, who … Continue reading →