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Bread of Angels: A Memoir, by Patti Smith review – a wild ride with the poet of punk

Smith’s incantatory voice shines through in this surprisingly revelatory follow up to Just Kids and M Train

Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all

A picaresque story of massive success and deep despair that Rowland narrates with an impressive lack of self-pity

The Fourth Choir review – James Joyce’s The Dead is brought vividly to life

The exceptionally polished LGBTQ+ chamber choir teamed with Niamh Cusack for a beautifully paced production of Joyce’s short story

Meshell Ndegeocello: No More Water: The Gospel of James Baldwin review – a fire reignited

Baldwin’s stinging words on race and America are matched with the kind of musical eloquence that the great writer himself so admired

Scenes from the Wild review – bats and gannets in the captivating vision of Dara McAnulty

Tenor William Morgan was the soloist in Cheryl Frances-Hoad’s powerful song cycle based on the work of the teenage nature writer

Britten Sinfonia / Gourlay review – Turnage and Clayton sing out for refugees

Poems on displacement by Benjamin Zephaniah, Brian Bilston, Dickinson and Auden drive a weighty new song cycle by Mark-Anthony Turnage, delivered masterfully by Allan Clayton

Prom 49: The Lost Words review – Beethoven to beatboxing as climate crisis set to music

Robert Macfarlane and Jackie Morris’s bestselling book inspired this ambitious family Prom that celebrated the natural world

Oscar and Lucinda review – Peter Carey’s novel refracted into operatic colour

Carriageworks, SydneySydney Chamber Opera sees reckless beauty in the Booker prize-winning tale of a wager between an unlikely couple

Bill Murray, Jan Vogler and friends review – a curious and uniquely pointless evening

An eccentric programme of readings and music was lapped up by an audience there to gawp at a Hollywood legend

Moor Mother review – howl of apocalyptic fury is kept to a whisper

A weedy sound system prevents the Philadelphian poet, musician and activist from tapping into true dread

La Sonate de Vinteuil CD review – Milstein sisters play detective in search of Proust’s lost phrase

The mysterious ‘petite phrase’ of A la Recherche du Temps Perdu is the starting point for this hugely enjoyable disc of French violin sonatas

The World Was Once All Miracle review – Anthony Burgess’s musical powers

Raymond Yiu’s song cycle built on the novelist’s poems and the European premiere of Burgess’s Symphony in C showcased another side to one of Manchester’s most famous sons

BBCSO/Oramo review – a bewitching poetic meditation

Barbican, LondonKaija Saariaho’s song cycle True Fire wove works by Emerson and Heaney into a pulsing sonic web, with baritone Gerald Finley exemplary at its heart

From Schubert to Sinatra: why the song cycle speaks to the heart

A new English version of Die Schöne Müllerin offers a reminder as to why it’s Sinatra – not his classical contemporaries – that matches Schubert in ambition

Grant & I review – Robert Forster writes moving, definitive portrait the Go-Betweens deserve

The heart of Forster’s memoir is his friendship with the ‘naive boy’ Grant McLennan, but it skirts the topic of heroin that hangs over it like a shadow

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  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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