Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

The Ordering of Moses review – Dett’s oratorio thrills on its belated UK premiere

Joshua Weilerstein conducted the CBSO in a rare outing for the African American composer Robert Nathaniel Dett’s vivid and impassioned ‘sacred cantata’

The Cunning Little Vixen review – CBSO’s concert staging has care but misses vital charm

Elena Tsallagova was a feisty vixen and the CBSO’s playing under Mirga Gražinytė-Tyla was outstanding in a more matter-of-fact interpretation of Janáček’s opera than one normally hears

CBSO/Gražinytė-Tyla review – Adès’ ghostly Buñuel showpiece sees the light

A centenary celebration – coming to the Proms tonight – included an Ades premiere and, 75 years after its composition, Ruth Gipps’s second symphony

CBSO/Gardner review – heft, glitter and fizz as Birmingham orchestra return to the stage

Stephen Hough dazzled as the soloist in Saint-Saëns’s Fourth Piano Concerto in a programme that also included Debussy and Missy Mazzoli

CBSO 100th Birthday Celebration review – Simon Rattle makes sparks fly as orchestra reunites

The Birmingham orchestra’s first post-lockdown concert was a rich mix that took in Elgar, Stravinsky and Slumdog Millionaire

CBSO/Gražinytė-Tyla review – Unsuk Chin’s showpiece Spira is full of flair

Two new works (Unsuk Chin and Taylor-West) had fluency and flair, and two Beethoven symphonies were both light and lucid under Mirga Gražinytė-Tyla

CBSO/Gražinytė-Tyla review – massed forces rise to a monumental Mahler

Mid-way through a Mahler symphony cycle, the conductor brought tremendous energy to his Eighth, with the female soloists, particularly, glorious

Cheltenham music festival review – rousing premieres by female composers

The festival honoured a pledge for gender parity with striking new work by Judith Weir, Dani Howard and Thea Musgrave

CBSO/Gražinytė-Tyla review – excitement and grandeur for epic Mahler

Although occasionally the focus became blurred, the CBSO were superb and vocally this was an immaculate performance

CBSO/Gražinytė-Tyla review – ambitious tone poems and kinetic art

This refined outing of painter/composer Čiurlionis came complete with Norman Perryman’s live paintings

CBSO/Anderszewski review – energy and quality radiate from the keyboard

Conducting from the piano, Anderszewski brought elegance, wit and clarity to a programme of Haydn, Mozart and Beethoven

CBSO/Gražinytė-Tyla/Kremer review – keening emotions and vivid humanity

A weekend dedicated to the composer Mieczysław Weinberg featured the first British performance of his anguished 21st Symphony, dedicated to victims of the Warsaw ghetto

CBSO/Wellber review – ecstatic Dvořák and ardent Bartók

Omer Meir Wellber impressed at Glyndebourne this year and here brought a superb freshness, with the subtle violinist Gidon Kremer equally fine

Roussel: Évocations; Pour Une Fête de Printemps; Suite in F review – French rarities served with refinement

Influenced by Debussy and the first world war, Albert Roussel’s work deserves a wider audience

The week in classical: La traviata; Debussy festival; Vivaldi’s The Four Seasons: A Reimagining – review

A clunky libretto isn’t the only hazard in ENO’s scrambled new Traviata. Elsewhere, a luscious celebration of Debussy, and Vivaldi with puppets – and a few tears

Post navigation

← Older posts
Newer posts →
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

Contact www.freakyparty.net   Terms of Use