South African soprano Rangwanasha proved she is the real deal in a performance of Strauss’s Four Last Songs that’s let down by the RPO’s oddly pinched, poorly tuned backing
The Radiohead guitarist joined the orchestra for the premiere of his rather formless Violin Concerto – but other repertoire was gripping, and showed off a world-class string section
This 1999 live recording captures the late conductor’s radical ear in bracing Mendelssohn, gossamer Wagner and a luminous Liebestod – from Violeta Urmana
The Finnish violinist-conductor strips back The Lark Ascending to revelatory effect in an album that moves from searing grief to radiant, folk-infused transcendence with Sam Amidon
This celebration of Iceland’s outsize musical talents was a mixed bag, but highlights such as Bára Gísladóttir’s double bass concerto and Daníel Bjarnason’s I Want to Be Alive revealed singular and innovative voices
Marking 25 years since their formation, Dances, Songs & Hymns for Friendship was informed by the composer’s observations of the four musicians both in and out of rehearsal
The pianist’s recital was a masterful essay in sound where the Hungarian composer’s short piano works were woven into and out of Debussy, Liszt and Bach
This is the premiere recording of sacred cantatas by JL Bach: works preserved due to his distant cousin, JS Bach, copying them for performance. Conductor Johanna Soller brings them to sensitive and vivid life
The London Handel festival opened with Arcangelo’s agile and elegant performance of the operatic oratorio. Christopher Purves dominated as the king, as David, Hugh Cutting’s voice was liquid honey
Jamie Manton’s new production for English National Opera is sparky and substantial. Danielle de Niese brings star quality to tarty Jenny, and the chorus are consistently superb
The UK premiere of a stirring joint concerto by five US artists refashioned patriotic songs, minstrelsy and poetry to present an alternative America built on inclusion