Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician

In a vivid concert celebrating the eclecticism of Eastman’s work, there was head-banging intensity, the spirt of Joan of Arc and a Lutheran battle hymn

Gli Incogniti/Beyer: Bach from Italy album review – fascinating collection sizzles and shines

Violinist Amandine Beyer and the musicians of Gli Incogniti juxtapose original works by Vivaldi and the Marcello brothers with the Bach compositions they inspired and influenced

Iberia album review – Hindoyan and the RLPO turn the heat up with Spanish colours and sunshine

There’s addictive Latin rhythms and perfectly judged musical adrenaline in Domingo Hindoyan and the Royal Liverpool Philharmonic’s recording of these six French works with a Spanish theme

Apartment House review – an evening rich in discoveries, musical delicacies and magic

The new music ensemble was at the top of its game with seven premieres that included melancholy hymns from Linda Catlin Smith, Paul Paccione’s scrunchy modal harmonies and fragile beauty from Ramūnas Motiekaitis

LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp

Thomas Adès curated and conducted a dazzling concert of contemporary works by Alex Paxton and Poul Ruders, plus his own Aquifer alongside a radiant Sibelius 3

BBC Phil/Seal: Bliss, Miracle in the Gorbals/Metamorphic Variations album review – much to enjoy

This is a fascinating chance to hear two contrasting pieces by the former master of the Queen’s music; the BBC Philharmonic unfurl the beauties of each work

Hugh Cutting: Refound album review – an idiosyncratic and profoundly satisfying collection

The Kathleen Ferrier award-winning countertenor’s debut recital album showcases his warm tone and effortless musical line – and his originality

Albert Herring review – ENO heralds new era with witty staging of Britten’s story of a mummy’s boy

English National Opera’s first shared production between London and Salford is a fluent and finely sung take on Britten’s 1947 comic opera. Antony McDonald’s lively staging gives the slender tale a sitcom feel

Mitsuko Uchida review – enthralling and exhilarating late Beethoven

The pianist’s performance of sonatas Opp 109, 110 and 111 was full of tender, intriguing details – the works together formed something greater than the sum of their parts

La Bohème review – noirish reframing of Puccini’s classic weepy

Floris Visser’s stylish bohemia recalls Brassaï’s Paris, while Puccini’s score is delivered with crispness and elasticity

The Magic Flute review – assured, atmospheric and a lot of fun

Revival of David McVicar’s production is full of kitsch turns and exquisite performances, not least from young French conductor Marie Jacquot

Beethoven 5 Vol 4: Salvatore di Sciarrino album review – classical weight, contemporary subtlety

Jonathan Biss pairs Beethoven’s fourth concerto with Sciarrino’s 21st-century miniature, creating a programme that is thoughtful and vividly expressive

BBCSO/Stasevska: Become Ocean review – elemental, unsettling and beautiful

A brilliantly thought-through sequence of music by Thorvaldsdottir, Ligeti and John Luther Adams made for a powerful and immersive experience

The Hermes Experiment: Tree album review – vivid voices and bold textures from inventive ensemble

An exhilarating album of new and reimagined works by Errollyn Wallen, Laura Moody and others reaffirms this group’s reputation for fearless musical curiosity

Carmen review – big on noise but short on chemistry

ENO’S fourth revival of Calixto Bieito’s classic production starts at an exhilarating gallop but is thrown off course by its ill-fitting translation and onstage clamour

Post navigation

← Older posts
Newer posts →
  • The Kingdom: Oxford Bach Choir, BSO/Nicholas review – Elgar’s unloved oratorio sounds expansive and convincing
  • Sinfonia of London/ Wilson/ Kantorow review – pushing the limits of the well-oiled orchestral machine
  • BBC Symphony Orchestra/ Oramo/ Son review – rainy days, rolling hills and enchanted creatures
  • BBCNOW/Djupsjöbacka review – Tower’s Love Returns is an uncommonly appealing piece
  • Hallé/Chauhan/Helseth review – Muhly paints doom with Helseth’s gleaming trumpet
  • Elisabeth Leonskaja review – piano legend’s unerring sense of architecture reveals connections and kinships
  • Diagonale des Yeux: Madeleine review – wacky multilingual outsider pop with winning quieter moments
  • James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album
  • Joseph Nolan: The Complete Alkan Organ Works, Vol 1 album review – seething with quasi-orchestral colour
  • Nemanja Radulović: Prokofiev album review – thrills and spills from a fearless violin virtuoso
  • Philharmonia/Alsop/Weilerstein review – tricky acoustic mutes the sonic drama
  • The Black Crowes: A Pound of Feathers review – pathos and profanity elevate peerless rock’n’roll pastiche
  • Monteverdi Choir/English Baroque Soloists/Whelan review – St John Passion of drama and authority
  • Golden Plains 2026 review – Basement Jaxx turn a regional farm into a surreal and heaving club
  • Echo and the Bunnymen review – Ian McCulloch leaves it to the crowd to sing these timelessly great songs
  • Harry Styles review – Netflix concert is a communal love-in with some big pop moments
  • LSO/Hannigan review – intensely fluent soprano switches into full command as conductor
  • Morrissey: Make-Up Is a Lie review – nostalgic, sentimental and dull, he is a shadow of what he once was
  • Feshareki/BBC Singers/Goddard review – goddess-inspired soundscape stuck in the great unknown
  • Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown
  • Simo Cell and Abdullah Miniawy: Dying Is the Internet review – a virtuosic voice cuts through digital noise
  • Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together
  • Mitski review – pop meets performance art in a masterful spectacle
  • Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat
  • Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate
  • 10cc review – 70s legends reprise a dazzling string of pop classics
  • Dave review – prodigiously skilled rapper conjures thrilling intimacy on a grand scale
  • Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally
  • David Byrne review – in life during wartime, this show will restore your faith in humanity
  • Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?

Contact www.freakyparty.net   Terms of Use