Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Sturgill Simpson: A Sailor’s Guide to Earth review – heartfelt and homesick

Since the days of the wayfaring bards, the touring life has largely been coded male. But not all itinerants enjoy artificial irresponsibility. Breakout country star Sturgill Simpson’s third album is not all about the conflicts of a male life in … Continue reading →

Sturgill Simpson: A Sailor’s Guide to Earth review – hard-hitting country soul

Related: Sturgill Simpson: country music’s young outlaw shifts shape again Sturgill Simpson has found a novel way to rebut all the claims that he is the future of Nashville. His third album takes a sharp turn away from the questing, … Continue reading →

Jason Isbell review – subtle moments shine through for American country’s next big star

Flitting between sweet solo numbers and full-band blow-outs, Isbell occasionally proves more Bryan than Ryan – to mixed effect

Cale Tyson: Careless Soul review – Texan cowboy’s soulful follow-up

Soul in a Stetson from Cale Tyson

Various Artists: Wayfaring Strangers: Cosmic American Music review – beautiful country rock from the fringes

This terrific collection of country-rock obscurities shows another side to the sound that dominated 1970s American rock

Eric Church: Mr Misunderstood review – driving rock with added swagger

Country star Church continues to mix blue-collar homage with tinges of soul

Shooter Jennings: Countach (For Giorgio) review – keeping it weird with a Moroder tribute

The country music outlaw goes bizarrely off-piste once more with a potent, muscular celebration of the Italian electronic pioneer

Loretta Lynn: Full Circle review – a fine set of new songs and old favourites

At 83, Loretta Lynn really does come full circle (with a little help from Willie Nelson)

Loretta Lynn: Full Circle review – still a force to be reckoned with

The female fury that shook up 1960s Nashville still packs a punch mixing nostalgia with new tunes

Carrie Rodriguez: Lola review – Tex-Mex with a classy modern twist

The Texan singer-songwriter goes back to her bilingual roots

Marlon Williams: Marlon Williams review – unconventional country rock

The New Zealand singer mixes Jeff Buckley influences with early rock’n’roll to bring a weathered quality to his solo debut

Lissie: My Wild West review – heartfelt songs of pain, solidarity and rural retreat

Lissie’s third album mixes a west-coast pop sheen with countrified delicacy, and painfully honest tales of insecurity

Jason Isbell review – arena-ready country with plenty of heart

The Alabama songwriter praised by Springsteen proves he’s ready to take his soulful tunes to the big leagues

Buddy Miller & Friends: Cayamo Sessions at Sea review – country cruising

These Caribbean cruise recordings are a fine showcase of the best voices country music has to offer

Lucinda Williams: The Ghosts of Highway 20 review – pained and powerful Americana

The pioneer of Americana returns with another highly impressive, intimate album

Post navigation

← Older posts
Newer posts →
  • Ariana Grande review – glittering hits and powerhouse vocals in stunning return to stage
  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship

Contact www.freakyparty.net   Terms of Use