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Margo Cilker review – perfectly crafted Americana for the open road

In a small pub gig, this extraordinary US singer-songwriter makes country and western her newly minted own

Amanda Shires: Take It Like a Man review – reimagining country strong

The frequently epic seventh album from the Nashville iconoclast digs into the sexuality, stoicism and vulnerability of modern womanhood

Joan Shelley: The Spur review – timeless and vital Americana

Pretty but unsentimental reflections on putting down roots inform the singer-songwriter’s elegant seventh album

Tami Neilson: Kingmaker review – the queen of Kiwi country at her imperious best

The award-winning singer’s effortless fifth album channels Patsy Cline and features a soaring duet with fan Willie Nelson

Judy Collins: Spellbound review – nostalgic first album of originals

The folk legend’s first ever collection of self-written songs gazes back over a life lived with exquisite effect

Billy Strings: Renewal review – bold and beautifully written bluegrass

Revelations about heartbreak, America and addiction combine with banjo workouts in a testament to complex humanity

Robert Plant and Alison Krauss: Raise the Roof review – uplifting and enthralling

From blue-eyed soul to English folk, the unlikely dream team’s second instalment of covers is a welcome dose of musical reassurance

Kacey Musgraves: Star-Crossed review – a tragedy of wifely strife

The bliss of Musgraves’ Grammy-winning Golden Hour sours on this follow-up, with a breakup narrative that is a little too tidy

Hiss Golden Messenger: Quietly Blowing It review – a gentle kind of protest music

MC Taylor offers up soulful Dylan-esque country rockers about the impact of the system on ordinary lives

Valerie June: The Moon and the Stars review – psychedelic Memphis soul

The Tennessee singer-songwriter’s bittersweet country soul with an astral bent fares best when it’s kept simple

Loretta Lynn: Still Woman Enough review – strident and timeless at 88

An album of flinty classics and sparky duets, full of resolve – the extraordinary country singer shows no sign of slowing

Barry Gibb: Greenfields – The Gibb Brothers’ Songbook Vol 1 review – a spin in the country

With subtle, beautiful arrangements, this foray into country-pop with covers by the likes of Dolly Parton, Jason Isbell and Gillian Welch is testament to the Bee Gees’ greatness

Frazey Ford review – an emotional, imperfect, lyrical balm

The cult Canadian country singer cooks up an exquisite livestreamed set with honeyed funk, buttery vocals and plenty of soul

The Chicks: Gaslighter review – former Dixies dish on divorce

There’s more going on here than a name change: the band’s trademark country-pop-with-attitude is fuelled by stories of rage and psychological abuse

The Chicks: Gaslighter; Margo Price: That’s How Rumors Get Started – review

These country music outsiders expand the genre’s boundaries while staying true to its spirit on two rich, outspoken albums

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  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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