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Various Artists: Redline Impact review – thrilling dive into east Asian hyper-electronics

This exhilarating compilation pushes from K-pop to trance, hardstyle techno, budots and beyond – and is at its best when artists rachet up the intensity

Caribou: Honey review – this AI-aided album is dubious on so many levels

Evidently running out of ideas, the Canadian musician has used AI to alter his voice into rappers and singers – a dismally insular style of working that produces little of note

Sophie: Sophie review – shiver-inducing posthumous album from the hyperpop trailblazer

Completed by her brother after her accidental death in 2021, the experimental pop producer’s second album is among the most inventive records of the year

Rahim Redcar: Hopecore review – former Christine and the Queens artist plays to his fanbase

There are flashes of brilliance in this roughly-hewn album, but also flaws hidden by production flourishes. It’s intriguing but not wholly enjoyable

Moby review – full of teenage energy on first tour in over a decade

With songs either maximalist or stripped back, there’s not much subtlety during this 25th anniversary tour for the once-ubiquitous Play – but there are some head-rush thrills

Jamie xx: In Waves review – bright, blissful bangers for 3am on big speakers

Filled with guest stars from his xx bandmates to Robyn, this long-gestating second solo album picks up where In Colour left off, and deepens its dancefloor devotion

Caribou review – small-scale sweaty return showcases potent pivot to pop

Playing mostly new material from upcoming album Honey, this mainstream club fare is given huge personality by Dan Snaith’s croon and yearning songcraft

Fred Again: Ten Days review – pop house with unfulfilled pretensions

An album of lofty intentions and muttered musings from the dance artist de jour is saved by a gift for a nagging hook and uplifting melody

Leeds festival review – Lana Del Rey and Liam Gallagher are sublime after the storm

An eclectic line-up – from Lambrini Girls to Fontaines DC and Fred Again – defied Storm Lilian to deliver a fiery, heartfelt festival

Rally festival review – thrilling blend of cult DJs and indie darlings

Mount Kimbie’s electro-acoustic jams capture the ethos of this celebration of the boundary pushing that included sets from Two Shell, Nilüfer Yanya and bar italia

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Kiasmos: II review – will have you crying tears of joy on the dancefloor

The Icelandic-Faroese duo follow their 2014 cult debut with a second album of meticulous, majestic, simply beautiful electronic music

Charli XCX: Brat review – insecurity-obliterating anthems by pop’s most human superstar

Beyond the sleaze, grinding bass and it-girl in-jokes, the British visionary’s sixth album is a masterpiece that understands how a hard persona can offer protection

Dua Lipa: Radical Optimism review – ‘psychedelic pop-infused’? Pull the other one!

The British superstar has said her new album is influenced by Britpop, rave culture and Primal Scream, but you could go mad trying to find the evidence

Porij: Teething review – dance music without drama or daring

The Manchester band sing about edginess and emotional danger, but never manage to give their beats any tension

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  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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