Diagonale des Yeux: Madeleine review – wacky multilingual outsider pop with winning quieter moments

Music boxes, miaows and strange melodies pepper the whimsical and charmingly lo-fi post-punk of Laurène Exposito and Théo Delaunay

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

Simo Cell and Abdullah Miniawy: Dying Is the Internet review – a virtuosic voice cuts through digital noise

The latest collaboration between the French producer and Egyptian singer pairs soaring musicality with frenetic electronics to examine the age of AI

Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph

Following a six-night stint in NYC, Fred Gibson returns to London for a brilliant, five-hour melange of his own tracks and wildly energising guest-star mini-sets

Ikonika: Sad review – vocal-led new direction is a hit for the Hyperdub veteran

(Hyperdub)The dancefloor producer weaves seductive and steely lyrics with their trademark production in a convincing embrace of pop

Debit: Desaceleradas review – Afro-Latin club sounds slowed to a seductive crawl

The producer’s second album is a granular dissection of cumbia rebajada, forcing the listener to focus on the strangeness of every moment in her ambient soundworld

Oneohtrix Point Never: Tranquilizer review – uncanny ambient music for an agitated era

Made using a cache of Y2K sample CDs that Daniel Lopatin salvaged from the internet’s fringes, the kaleidoscopic result speaks to contemporary information overload

Mohinder Kaur Bhamra: Punjabi Disco review – rediscovery of an 80s trailblazer

Punjabi folk vocals backed by hammering electronic percussion, disco basslines and fizzing synth melody: a key predecessor to the Asian dance music explosion

Fridayz Live Sydney review – Mariah Carey is impeccable but Pitbull steals the show

Dual headliners capped a R&B festival with fever-dream energy, including self-help sermons and Pitbull cosplayers everywhere you looked

Blawan: Sick Elixir review – it’s man vs machine in an oppressive, ominous trip down the rabbit hole

Jamie Roberts’ unsettling take on bass music is crammed with glitchy rhythms and jolting sounds. It’s as disorienting as it is immersive

Kieran Hebden and William Tyler: 41 Longfield Street Late ’80s review – Four Tet fries his formative country influences

Lyle Lovett meets brain-scouring distortion on the electronic musician’s surprisingly un-nostalgic collaboration with former Lambchop guitarist Tyler

Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea

Matthieu Ruben N’Dongo amps up the intensity on a second album that makes an uncanny atmosphere out of swarming electronics, grisly vocals and polyrhythmic percussion

End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital

Full of warmth despite the rain, highs include Mexico City experimentalists Titanic and Vermont songwriter Lily Seabird’s gorgeously open-hearted voice

Autumns: Basic Face review – sinister vocals, metallic sounds and mutant cowbells

With its beefy rhythms and intense, unrelenting tracks, the prolific Irish producer follows the classic EBM formula to sweaty effect

For Those I Love: Carving the Stone review – bracing anger at Irish social stasis

The raw grief of David Balfe’s first album may have faded to a bruise, but his spoken-word fury is as strong as ever in these hyper-focused stories of poverty and exploitation