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Four Tet: 871/Parallel review – chaotic ambition with bells on

Veering from squalling howls to symphonic loveliness, Keiran Hebden’s two new albums are equally rewarding

Yvette Janine Jackson: Freedom review – vivid voyage through hate

The composer’s two new works, exploring slavery and homophobia, are like immersive non-visual films

Farhot: Kabul Fire Volume 2 review – gut-shaking hip-hop collage

The Afghan-born producer skilfully explores his heritage with an unruly collage of vocal samples blended with diasporic sounds

Rico Nasty: Nightmare Vacation review – offbeat rapper is impossible to ignore

The high-volume delivery may be an acquired taste but there are gems to be found in this album of chaotic experimentalism

Flohio: No Panic No Pain review – rapper leaves no mould unbroken

The south London rapper broadens and deepens her emotional range, while continuing to select unexpected production partners

Cabaret Voltaire: Shadow of Fear review – a fittingly dystopian fantasy from Sheffield’s industrial pioneers

The first Cabaret Voltaire album in more than two decades feels oddly of the moment, their grim presentiments about disinformation, curfews and crackdowns fulfilled

Gorillaz: Song Machine Season One: Strange Timez review – playful and potent collaboration

Damon Albarn provides the melodic anchor to this pioneering album that balances concept and fun

Sun Ra Arkestra: Swirling review – out of this world

The Arkestra’s first album in 20 years is an intoxicating, cosmic tribute to Sun Ra

Ela Minus: Acts of Rebellion review – techno-pop for dancing, thinking and resisting

Making her debut album alone on analogue machines, Minus has come up with an inspiring manifesto for 2020

Autechre: Sign review – electronic masters soar and fall in negative space

A surprisingly melodic proper album is welcome from the electronic pioneers, but its dystopian soundworld is now in a crowded market

Jónsi: Shiver review – ethereal steel for strange times

Jónsi’s first album in a decade is a clever mix of crunchy electronica and floating vocals

Working Men’s Club review – synthpop of every stripe on outstanding debut LP

The West Yorkshire band take the stark electronics of the post-punk scene and warm them with Detroit techno and Italian house – while addressing Andrew Neil with mischievous one-liners

Róisín Murphy: Róisín Machine review – still inventing new moves

Pop outsider and lockdown living-room star Murphy distils her disco expertise and musical idiosyncrasies in songs pulsing with dancefloor power

Sleaford Mods review – a bracing stream of class consciousness

The Nottingham punk duo let rip with a battery of barbed lyrics, bizarre noises and back-to-basics beats

Sault: Untitled (Rise) review – mystery collective make best album of 2020, again

Just 12 weeks after their previous double album, the British group dance from sorrow to resistance, mixing fearless lyrics with house, funk and disco

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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