Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

FKA twigs review – an eye-popping extravaganza of dancing and demons

The ever out-there British artist tours her latest album, Eusexua, with a show whose mix of club vibe, winged beast props and prime back catalogue delights and confounds

Bdrmm: Microtonic review – Hull shoegazers nod towards the dancefloor

The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album

Maribou State review – UK duo turn darkness into light after existential crisis

With Chris Davids recovered from a brain condition, the electronic act’s first tour in years is full of committed, emotionally resonant performances

FKA twigs: Eusexua review – a hymn to the healing power of the dancefloor

Coining a word to describe a particular state of euphoria, twigs effortlessly juggles left-field digitals and club pop tunes on album No 3

Aphex Twin: Music from the Merch Desk (2016-2023) review – Santa’s sack overspills with AFX bounty

Compiling the highly sought-after limited vinyl releases sold at recent festival sets, this surprise 38-track release filled with bangers and beauty is a trove for fans

Bubble Love: Bubble Love review – Ross From Friends’ high-energy pop-club side project

Producer Felix Weatherall adopts another guise, swapping lo-fi analogue for a disorienting burst of alternative dance music

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

Underworld: Strawberry Hotel review – sweet bangers and sad laments

The techno giants’ 11th album finds them ranging from cut-up dancefloor fillers to gentle experimentation

Kelly Lee Owens: Dreamstate review – dancefloor transcendence by a true pop shapeshifter

The Welsh producer’s latest handbrake turn takes her from dark-hued ambience to hypnotic euphoria on her poppiest record to date

Public Service Broadcasting review – Amelia Earhart tribute soars

History-focused band brings live magic to heartfelt songs about the lost aviator and other spirits from a more hopeful age

No Bounds review – from clubs to chapels, this Sheffield fest is dizzyingly daring

It was always somewhere to let rip until dawn, but seven editions in, No Bounds lives up to its name by expanding across cathedrals, castles and more

Charli xcx: Brat and It’s Completely Different But Also Still Brat review – her lime-green imperial phase is unstoppable

(Atlantic)Big-name guests abound on a thrilling remix album that takes a glimpse into celebrity’s heart of darkness but makes it transcendently fun and cool

Various Artists: Redline Impact review – thrilling dive into east Asian hyper-electronics

This exhilarating compilation pushes from K-pop to trance, hardstyle techno, budots and beyond – and is at its best when artists rachet up the intensity

Caribou: Honey review – this AI-aided album is dubious on so many levels

Evidently running out of ideas, the Canadian musician has used AI to alter his voice into rappers and singers – a dismally insular style of working that produces little of note

Sophie: Sophie review – shiver-inducing posthumous album from the hyperpop trailblazer

Completed by her brother after her accidental death in 2021, the experimental pop producer’s second album is among the most inventive records of the year

Post navigation

← Older posts
Newer posts →
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show
  • Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

Contact www.freakyparty.net   Terms of Use