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Tim Hecker: Konoyo review – Japanese forms abstracted by ambient dystopias

Hecker explores another world of sound in collaboration with Japanese group Tokyo Gakuso, using expert sonic daubs

Gazelle Twin: Pastoral review – techno tormentor tramples tedium

On her third album Elizabeth Bernholz takes Britain, past and present, on a scary funfair ride of aggressive rhythms, operatic vocals and folk

Yves Tumor: Safe in the Hands of Love review – thrilling plunderphonics

The Tennessee expat performs daring handbrake turns between driving techno, breakbeat pop, spoken word and trip hop shuffles

Wysing Polyphonic review – explosions in the sonic inventing shed

Moor Mother and Paul Purgas curate an inspirational gathering where electronic artists, dancers and poets freely test the boundaries of expression

Tunng: Songs You Make at Night review – a welcome return

(Full Time Hobby)

Ben Khan: Ben Khan review – singular coiled-lust electropop

Khan’s debut has sex and drama, lyrically and musically – with an attractive rawness in the production and his vocals

Tirzah: Devotion review – quiet love stories from DIY R&B enigma

Making magic out of minimal patterns – with the help of old friend and producer Mica Levi – the singer spins alluring stories of intimacy and love

Gabe Gurnsey: Physical review – relentless, hooky dance

(Phantasy Sound)

Helena Hauff: Qualm review – zeitgeist DJ bends techno to her will

Hauff’s second, rawer and louder, release finds harmonic charm in tough electronica

RL Grime: Nova review – jackhammer EDM/rap bangers for US festivals

Mixing EDM, emo and trap is what Grime is known for, but here he takes his high-profile rap guests, including Miguel and Chief Keef, on a big arena tour

Underworld & Iggy Pop: Teatime Dub Encounters review – enormo beats taking the world to task

This four-track EP combines Pop’s ruminations on the state of the world with the techno giants’ biggest grooves

Pet Shop Boys review – bring on the dancing balloon people

Ingenious design helps create an electric atmosphere as the duo celebrate poptimisation at Covent Garden

Prom 13: LCO/Ames: Pioneers of Sound review – probing music’s outer reaches

A thrilling late-night Prom featured five women who push back the frontiers of electronic composition

Ebony Bones: Nephilim review – jittery post-punk seething at racist violence

The one-time soap actor’s third album highlights a fiery political focus fuelled by her acid anger and vaulting ambition

Contemporary album of the month: Walton: Black Lotus

The electronic minimalist composer takes apart the sonic signatures of grime music and reassembles them with clockwork precision

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  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
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  • The Alonetimes review – frenetic, funny and exhilarating music theatre
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  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
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  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute

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