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Escort: Animal Nature review – nifty production and brassy abandon

Even in its weaker moments, the New York disco band’s second album makes you yearn to see them live

Escort: Animal Nature review – disco classicism from 15-piece New York behemoth

This Brooklyn-based disco orchestra take in most of the genre’s key ideas, but never reach a state of totally wild abandon

Susanne Sundfør review – fizzing rave-pop that sounds apocalyptic

The clash of pure pop with malfunctioning machine sounds and harsh, austere rhythms shouldn’t work, but Sundfør’s music is astonishing

Seinabo Sey: Pretend review – mixed bag of soul-pop

Debut album from Stockholm’s answer to Emeli Sandé veers from the punchy to the characterless

Real Lies review – synthpop goes back to the future

There’s a reassuring familiarity in these euphoric songs evoking long nights dancing and even longer drives back home to the suburbs

Jamie xx review – twiddler on the loose

Live, the south London producer’s low-key approach to dance music can end up short-changing his fans

Majical Cloudz: Are You Alone? review – surreal and beguiling pop

Adding absurdist moments to the sadness of being alone in a crowd, Devon Welsh and Matthew Otto provide a bewitchingly awkward intensity

Jean-Michel Jarre: Electronica 1: The Time Machine review – pop goes the master

Working in person with A-list electronic music guests including Massive Attack and Laurie Anderson brings a freshness to Jarre’s soaring washes of sound

Xiu Xiu review – shuddering homage to Twin Peaks

The Californian avant-noise trio treat Angelo Badalmenti’s celebrated David Lynch score to a dose of atonality and violence

Art vs Science: Off The Edge of The Earth and Into Forever, Forever review

The Sydney trio largely succeed in delivering an ambitious and more sophisticated second album without losing their dancefloor appeal

St Germain: St Germain review – smooth jazz-house hitmaker returns

Tourist soundtracked many a noughties dinner party, and its belated followup is another super-smooth pleasure

Sleaford Mods review – the most compelling live act in music right now

Despite the minimal stagecraft, Jason Williamson’s charisma and intensity make all other frontmen look like posers

Prefuse 73 / Edan / Golden Rules review – hip-hop work in progress

This Lex Records showcase brings the return of an exciting star, intriguing soundscapes and an emerging collaboration that suggests there is much to look forward to from the label

Peaches: Rub review – multiple flavours of raw Peach

The Canadian provocateur’s first album in six years is stripped to the lubricious bone

Disclosure: Caracal review – dance duo’s second is saved by the guests

There’s a lack of new ideas on the follow-up to Settle, but the big-name vocalists add some sparkle

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  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
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  • Ariadne/Dido and Aeneas review – English Touring Opera conjures two strikingly different mythological worlds
  • PatKop & Say album review – playfulness and beguiling delicacy in mix of new and old
  • Worldpeace DMT: Stick Around for Tea review – ‘laptop twee’ duo keep things goofy but strengthen songs
  • Weird Baile: Collected Rips 2004-2024 review – a hallucinatory trip to baile funk’s outer limits
  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute

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