Public Service Broadcasting: The Race for Space review – a smart follow-up The London duo’s take on the US-soviet space race is suitably out of this world
Yung Lean: Unknown Memory review – nagging hooks and queasy introspection Swedish hip-hop teen Yung Lean intrigues with his dank, downbeat debut
Ibeyi review – twin-powered culture-clash charisma The Díaz sisters – whose music fuses French, Cuban and Yoruba culture – may be diametric opposites on stage, but they combine spellbindingly
Dan Deacon: Gliss Riffer review – pop outsider relaxes into his own sound Experimental pop outsider Dan Deacon relaxes into his own madcap sound on his terrific fourth album
Ibeyi: Ibeyi review – impressive but limited experimental soul French-Cuban twin sisters Ibeyi stick to one pace throughout their debut album, and that reduces its impact
Steve Aoki review – DJ in a dinghy bludgeons the audience into submission EDM’s poster boy indulges in bone-headed gimmicks that range from hurling cakes at the front row to crowd-surfing in a rubber boat
The Dø: Shake Shook Shaken review – the Paris duo shape up on album no 3 Warmer textures and greater structure have paid catchy dividends for the Dø
Adamski: Revolt review – early-90s rave star makes a brave comeback It’s an odd combination of musical ingredients and not all of it works, but Adamski’s new album is brave and funny
DJ Shadow and Cut Chemist review – a vinyl trip as profound as Moses’s stone tablets The turntable auteur and Jurassic 5 DJ prove funk never loses its power as they cut and hack through Afrika Bambaataa’s vintage vinyl
Aphex Twin – Computer Controlled Acoustic Instruments pt2 review: ‘Sometimes unlistenably irritating’ Just months after Syro, Richard D James has released an EP. Just don’t expect to be thrilled by it
Troyka: Ornithophobia review – take-no-prisoners fusion Troyka can be pulsatingly mellow – then veer off into Zappa-like melodies and thumping electric blues, writes John Fordham
Indiana: No Romeo review – moody and fascinating electro This Nottingham mother’s minimalist songs are an island of restraint amid current overblown mainstream pop. And she’s a dab hand at a masturbation metaphor, writes Alexis Petridis
Mofo festival 2015: the hits and misses From the debauchery of Faux Mo to a Syrian wedding singer turned electro superstar, Brigid Delaney and team pick their festival highlights
Kindness review – Soul II Soul vibe meticulously recreated Adam Bainbridge’s modern pop incorporates everything from house and classic R&B to disco, writes Kate Hutchinson
Die Antwoord review – South African rap-rave crew play it to the hilt Ninja and Yolandi, guttural rapper and robot babydoll singer respectively, keep to the formula with demented energy, writes Graeme Virtue