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Bizhiki: Unbound review – commanding Native American songcraft

Powwow singing from Joe Rainey and Dylan Bizhikiins Jennings blends with electronic production on a spirited album that reframes a rich cultural tradition

Kiasmos: II review – will have you crying tears of joy on the dancefloor

The Icelandic-Faroese duo follow their 2014 cult debut with a second album of meticulous, majestic, simply beautiful electronic music

Sam Morton: Daffodils & Dirt review – actor’s intoxicating trip-hop debut

Oscar nominee Samantha Morton teams up with label exec Richard Russell for an unnerving, dreamy album inspired by childhood trauma

Charli XCX: Brat review – insecurity-obliterating anthems by pop’s most human superstar

Beyond the sleaze, grinding bass and it-girl in-jokes, the British visionary’s sixth album is a masterpiece that understands how a hard persona can offer protection

Porij: Teething review – dance music without drama or daring

The Manchester band sing about edginess and emotional danger, but never manage to give their beats any tension

Regurgitator: Invader review – the new stuff is as good as the old stuff

The Australian band are back on form with one of their finest albums, showing that they still have more than enough new tricks to keep things interesting

Kelly Moran: Moves in the Field review – the pianist duets with her augmented self

Written on a programmable piano, the US musician’s new album remains graceful and accessible – in spite of her non-human playing partner

Michelle Moeller: Late Morning review – sparkling, ethereal sound manipulations

The US artist’s debut album mixes prepared piano with programmed synth effects in woozy harmonic compositions that soar and thrill

Julia Holter: Something in the Room She Moves review – the best track is the simplest

Found sounds and touches of jazz enliven the American singer-songwriter’s woozy evocation of being present in changing times

Pnau: Hyperbolic review – comeback from kings of kitsch can sound overly polished

After a tortuous career that briefly peaked with a viral remix of Elton John and Dua Lipa, the trio return with 10 reliable hits – while sacrificing some of their bizarro glory

Simple Minds review – stadium tour polishes 80s hitmakers’ gold dream

Jim Kerr and Charlie Burchill preside over an energetic set thrills fans of their chart reign and their post-punk era

Discovery Zone: Quantum Web review – expertly rendered synth fantasias

While at times it brings to mind the hold music for a healing-crystal company, there is plenty of brilliantly retro songwriting

Ben Frost: Scope Neglect review – grim grandeur with gnarly tongue-out riffs

The avant garde musician’s first album in seven years features cinematic ambience, pummelling sound design and whinnying metal guitar

Simple Things festival review – trance, slow jams and toilet-rattling rock

Various venues, BristolIt’s overambitious, but this festival remains a welcome alternative to generic lineups and corporate sponsorships – and there are stellar sets from L’Rain, Evian Christ and more

The Body and Dis Fig: Orchards of a Futile Heaven review – awe-inspiring music for heavy times

A collaboration between the alt-metal duo and Berlin-based shapeshifter Felicia Chen creates a dark but nourishing LP of hellish depth

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  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline
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  • Mendelssohn: Songs Without Words review – Chamayou makes each piece feel somehow familiar yet fresh
  • Angèle: Instinct review – Belgium’s biggest star is determined to do pop differently
  • Stevie Wonder review – playing ​his greatest album in full, he knocks everyone sideways
  • The Mary Wallopers review – legs and pints go flying to the sound of rowdy folk ragers
  • Appl/Baillieu: Lines of Life review – gifted baritone blends Kurtág and Schubert
  • Beth Orton review – battered optimism from an artist making the best music of her career
  • Atlantic Requiem review – Önaç gives historical slavery documents howling raging life
  • The Girl from Arles review – Bizet’s music for forgotten rustic tragedy has punch and poetry
  • Fontaines DC: Dopamine Chamber review – gloomy, gorgeous and a gargantuan triumph
  • Eugene Onegin review – passion and pathos as Tchaikovsky’s opera is dragged into the oligarch era
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Women and the Piano album review – Tomes brings her poetic instincts to a rewarding compilation
  • Holding Lightning by Emily Lordi review – an intimate portrait of Whitney Houston
  • Olivia Dean review – a powerful, affirming night with a pop star at the height of her powers
  • Metallica review – metal titans on fine form in spectacular rarities-focused show

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