Four Tet: Beautiful Rewind – review

Kieran Hebden's seventh album as Four Tet harks back to early-90s rave culture and is an unexpected pleasure, writes Killian Fox

Darkside: Psychic – review

Nicolas Jaar's new album, a collaboration with guitarist Dave Harrington, is a solemn, autumnal affair, and terrific with it, writes Alex Macpherson

Nicolas Jaar – review

The singular beauty of Jaar's hypnotic melodies and fine voice are almost better appreciated at the Barbican than in a club setting, writes Alex Macpherson

Transcender in C – review

Reinterpretations by Pantha Du Prince and Matthew Herbert of Terry Riley's In C wisely avoided the reverential or wacky, writes Ben Beaumont-Thomas

Darkside: Psychic – review

Nicolas Jaar's collaboration with Dave Harrington blends deep digital music with electric guitars to winning effect, writes Kitty Empire

NYPC: NYPC – review

New Young Pony Club return more streamlined in name, number and sound, and in part, at least, they sound reinvigorated too, writes Paul MacInnes

Glasser: Interiors – review

True Panther

Chase and Status: Brand New Machine – review

Chase and Status's tribute to 90s dance music is strongest when it doesn't just photocopy the past, writes Alexis Petridis

Katy B – review

London's dance-music doyenne unveils a euphoric new set that sounds exactly the way a great night out clubbing can feel, writes Ian Gittins

Machinedrum: Vapor City – review

US producer Travis Stewart's jungle-meets-juke makes up for occasional longueurs with some excellent dance tracks, writes Hermione Hoby

Jon Hopkins – review

The Mercury nominee's organic approach to constructing sound gave his set flesh and feeling, writes Mark Beaumont

Chvrches: The Bones of What You Believe – review

Synth-pop trio Chvrches have been all over the internet for months, but their debut album should be enough to keep people from switching off, writes Harriet Gibsone

Kronos Quartet/Kimmo Pohjonen/Samuli Kosminen – review

The UK premiere of a dazzling electro-folk collaboration between Kronos and two Finnish musicians was a thrilling blitz of sound, writes Robin Denselow